Tag Archives: land art

Art, Environs

The Lines

Lineas_de_Nazca-Nazca_Peru_2015

In an earlier post I wrote about Star Axis, a land art form designed by artist Charles Ross. One of its main elements is an 11-story high Solar Pyramid, which marks the daily and seasonal movements of the sun across a Shadow Field. It’s not only a naked-eye astronomical observatory, it’s a work of art — on an immense scale.

This cast my mind back to the late 1980s, when I was lucky enough to visit Peru for the first time. My trek included the Sechura Desert, also known as the Nazca Desert, about 250 miles southeast of Lima. The Nazca Desert is home to many thousands of land art forms — massive geoglyphs carved into the earth of the arid plateau.

These are the Nazca Lines.

Many of the lines form simple geometric patterns. However, around a hundred or so feature immense stylized images of animals and plants, including a monkey, spider, condor, and hummingbird. The largest of these figures is about 600 ft across.

Archeologists believe the figures were carved into the desert by the Nazca culture, dating from 500 BCE to 500 BE. The purpose of the geoglyphs is still debated today; theories include: astronomical observatory and calendar, fertility symbols and religious rituals.

Interestingly enough, many can only be best appreciated from the air — and that’s where they become works of art. This extraordinary art gallery is now preserved as a UNESCO World Heritage site.

Image: Hummingbird, Nazca Lines, Nazca, Peru. Courtesy: Diego Delso, Wikimedia Commons, License CC-BY-SA 4.0.

Art, Environs

Desert Earthworks and Cosmic Connections

Star Axis

Some timepieces are intimate, think Breitling or Rolex or your trusty Timex [does anyone wear a watch anymore?] Some timepieces are monumental — prime examples might include Big Ben in London, the astronomical clock in Prague and Munich’s Rathaus-Glockenspiel,.

But then, there are time-keeping instruments on an altogether different scale — ones that dominate a significant portion of the landscape. And, where better to find one such example than the stark, high desert of New Mexico.

From the Guardian:

Somewhere in the deserts of New Mexico, a nail is embedded into a type of flat-topped mountain known as a mesa. The positioning of this nail, shielded from the elements by a tin can, took days of trial and error, with astronomical measurements provided by the US Naval Observatory and the help of a surveyor. Finally, the correct spot was located: exactly in alignment with the axis of the Earth from the south pole to the north.

This nail – which I braved rattlesnakes to find, on a mountaintop strewn with slabs of granite – was fundamental to the success of Star Axis, an extraordinary naked-eye observatory that is the brainchild of artist Charles Ross. Only when Ross was sure he had the orientation precisely correct could he begin to build the structure he had dreamed about – an obsession that has consumed him since 1971.

Star Axis is one of the world’s defining earthworks, otherwise known as land art. In the late 60s, a generation of young, New York-based artists, inspired by the space race but also by the turmoil of Vietnam, decided that galleries weren’t big enough to house their visions. So they struck out, choosing instead to make works on an epic scale, sculpted from the elements, in the astounding desert landscapes of the US south-west.

Read the entire story here.

Image: Star Axis. Courtesy: Star Axis / Charles Ross.