Tag Archives: humor

Art, tD

Bad Art of the Deal

Urinal-art

It goes without question that a billionaire narcissist — who just happens to be running for president of the United States in 2016 — will have any number of images of himself (there aren’t many billionaire narcissistic women). But for every photograph or artwork that celebrates and reinforces the narcissist — no doubt commissioned for or by the narcissist and hanging in a prominent spot in one each of his homes — there will be another work that seeks to counter the narcissist’s carefully curated image. This is what good political art does. It counters and questions, and it supplements our open political discourse so that we may see and weigh other perspectives.

Oh, and it’s sharply and darkly funny too!

Image: Donald Trump meets Rolling Stones-inspired urinals at Belushi’s sports bar in Paris. Artists: William Duke and Brandon Griffin have added. Photograph: Meike van Schijndel.

Arts and Letters

The Battle of the Century

The comedic geniuses, Laurel and Hardy show us what happens when aggression and revenge are channeled through slapstick and 3,000 custard pies. If only all our human conflicts could be resolved through a good custard pie fight.

More importantly, the missing second reel of their 1927 silent movie, The Battle of the Century, has been found. So, we may finally know the climax of the Stan and Ollie cult classic — and see more pie-throwing in the process. Yum.

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Video: Clip from Laurel and Hardy’s silent film The Battle of the Century (1927).

Idea Soup

Finally A Reason For Twitter

Florida Man (@_FloridaMan) finally brings it all into sharp and hysterical focus. Now, I may have a worthy reason for joining the Twitterscape and actually following someone.

From the NYT:

Dangling into the sea like America’s last-ditch lifeline, the state of Florida beckons. Hustlers and fugitives, million-dollar hucksters and harebrained thieves, Armani-wearing drug traffickers and hapless dope dealers all congregate, scheme and revel in the Sunshine State. It’s easy to get in, get out or get lost.

For decades, this cast of characters provided a diffuse, luckless counternarrative to the salt-and-sun-kissed Florida that tourists spy from their beach towels. But recently there arrived a digital-era prototype, @_FloridaMan, a composite of Florida’s nuttiness unspooled, tweet by tweet, to the world at large. With pithy headlines and links to real news stories, @_FloridaMan offers up the “real-life stories of the world’s worst super hero,” as his Twitter bio proclaims.

His more than 1,600 tweets — equal parts ode and derision — are a favorite for weird-news aficionados. Yet, two years since his 2013 debut, the man behind the Twitter feed remains beguilingly anonymous, a Wizard of LOLZ. (The one false note is his zombielike avatar: The mug shot belongs to an Indiana Man.)

His style is deceptively simple. Nearly every Twitter message begins “Florida Man.” What follows, though, is almost always a pile of trouble. Some examples:

Florida Man Tries to Walk Out of Store With Chainsaw Stuffed Down His Pants.

Florida Man Falls Asleep During Sailboat Burglary With Gift Bag on His Head; Can’t Be Woken by Police.

Florida Man Arrested For Directing Traffic While Also Urinating.

Florida Man Impersonates Police Officer, Accidentally Pulls Over Real Police Officer.

Florida Man Says He Only Survived Ax Attack By Drunk Stripper Because “Her Coordination Was Terrible.”

“Now I think there are people who actually aspire to Florida Man-ness,” said Dave Barry, who celebrates Florida’s brand of madness in his popular columns and best-selling books. “It’s like the big leagues. It’s the Broadway for idiots.”

The number of @_FloridaMan’s followers is 270,000. Homages have proliferated: fan art, copycat Twitter feeds (California Man, Texas Man) and, most recently, a craft beer with Florida Man’s avatar.

Florida Man is considerably more popular (and funny) than competitors like Texas Man (732 followers) or California Man (129). But is the Florida Man who Accidentally Shoots Himself With Stun Gun While Trying to Rob the Radio Shack He Also Works At truly more wacky than, let’s say, an Arkansas Man or New Jersey Man?

Read the entire story here.

Idea Soup

Humor Versus Horror

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Faced with unspeakable horror many of usually turn away. Some courageous souls turn to humor to counter the vileness of others. So, it is heartwarming to see comedians and satirists taking up rhetorical arms in the backyards of murderers and terrorists. Fighting violence and terror with much of the same may show progress in the short-term, but ridiculing our enemies with humor and thoughtful dialogue is the only long-term way to fight evil in its many human forms. A profound thank you to these four brave Syrian refugees who, in the face of much personal danger, are able to laugh at their foes.

From the Guardian:

They don’t have much to laugh about. But four young Syrian refugees from Aleppo believe humour may be the only antidote to the horrors taking place back home.

Settled in a makeshift studio in the Turkish city of Gaziantep 40 miles from the Syrian border, the film-makers decided ridicule was an effective way of responding to Islamic State and its grisly record of extreme violence.

“The entire world seems to be terrified of Isis, so we want to laugh at them, expose their hypocrisy and show that their interpretation of Islam does not represent the overwhelming majority of Muslims,” says Maen Watfe, 27. “The media, especially the western media, obsessively reproduce Isis propaganda portraying them as strong and intimidating. We want to show their weaknesses.”

The films and videos on Watfe and his three friends’ website mock the Islamist extremists and depict them as naive simpletons, hypocritical zealots and brutal thugs. It’s a high-risk undertaking. They have had to move house and keep their addresses secret from even their best friends after receiving death threats.

But the video activists – Watfe, Youssef Helali, Mohammed Damlakhy and Aya Brown – will not be deterred.

Their film The Prince shows Isis leader and self-appointed caliph Abu Bakr al-Baghdadi drinking wine, listening to pop music and exchanging selfies with girls on his smartphone. A Moroccan jihadi arrives saying he came to Syria to “liberate Jerusalem”. The leader swaps the wine for milk and switches the music to Islamic chants praising martyrdom. Then he hands the Moroccan a suicide belt and sends him off against a unit of Free Syrian Army fighters. The grenades detonate, and Baghdadi reaches for his glass of wine and turns the pop music back on.

It is pieces like this that have brought hate mail and threats via social media.

“One of them said that they would finish us off like they finished off Charlie [Hebdo],” Brown, 26, recalls. She declined to give her real name out of fear for her family, who still live in Aleppo. “In the end we decided to move from our old apartment.”

The Turkish landlord told them Arabic-speaking men had repeatedly asked for their whereabouts after they left, and kept the studio under surveillance.

Follow the story here.

Video: Happy Valentine. Courtesy of Dayaaltaseh Productions.

Idea Soup

Why Are Most Satirists Liberal?

Stephen_Colbert_2014Oliver Morrison over at The Atlantic has a tremendous article that ponders the comedic divide that spans our political landscape. Why, he asks, do most political satirists identify with left-of-center thought? And, why are the majority of radio talk show hosts right-wing? Why is there no right-wing Stephen Colbert, and why no leftie Rush? These are very interesting questions.

You’ll find some surprising answers, which go beyond the Liberal stereotype of the humorless Republican with no grasp of satire or irony.

From the Atlantic:

Soon after Jon Stewart arrived at The Daily Show in 1999, the world around him began to change. First, George W. Bush moved into the White House. Then came 9/11, and YouTube, and the advent of viral videos. Over the years, Stewart and his cohort mastered the very difficult task of sorting through all the news quickly and turning it around into biting, relevant satire that worked both for television and the Internet.

Now, as Stewart prepares to leave the show, the brand of comedy he helped invent is stronger than ever. Stephen Colbert is getting ready to bring his deadpan smirk to The Late Show. Bill Maher is continuing to provoke pundits and politicians with his blunt punch lines. John Oliver’s Last Week Tonight is about to celebrate the end of a wildly popular first year. Stewart has yet to announce his post-Daily Show plans, but even if he retires, the genre seems more than capable of carrying on without him.

Stewart, Colbert, Maher, Oliver and co. belong to a type of late-night satire that’s typically characterized as liberal, skewering Republicans (and, less frequently, Democrats) for absurd statements or pompousness or flagrant hypocrisy. “The Daily Show, The Colbert Report, Funny Or Die, and The Onion, while not partisan organs, all clearly have a left-of-center orientation,” wrote Jonathan Chait in The New Republic in 2011.This categorization, though, begs the question of why the form has no equal on the other side of the ideological spectrum. Some self-identified conservative comics argue that the biased liberal media hasn’t given them a chance to thrive. Others point out that Obama is a more difficult target than his Republican predecessor: He was the first African-American president, which meant comedians have had to tip-toe around anything with racial connotations, and his restrained personality has made him difficult to parody.

But six years in, Obama’s party has been thoroughly trounced in the midterms and publicly excoriated by right-wing politicians, yet there’s a dearth of conservative satirists taking aim, even though the niche-targeted structure of cable media today should make it relatively easy for them to find an audience. After all, it would have been difficult for Stewart or Colbert to find an audience during the era when three broadcast stations competed for the entire country and couldn’t afford to alienate too many viewers. But cable TV news programs need only find a niche viewership. Why then, hasn’t a conservative Daily Show found its own place on Fox?

Liberal satirists are certainly having no trouble making light of liberal institutions and societies. Portlandia is about to enter its fifth season skewering the kinds of liberals who don’t understand that eco-terrorismand militant feminism may not be as politically effective as they think. Jon Stewart has had success poking fun at Obama’s policies. And Alison Dagnes, a professor of political science at Shippensburg University, has found that the liberal Clinton was the butt of more jokes on late-night shows of the 1990s than either George W. Bush or Obama would later be.

So if liberals are such vulnerable targets for humor, why do relatively few conservative comedians seem to be taking aim at them?

ne explanation is simply that proportionately fewer people with broadly conservative sensibilities choose to become comedians. Just as liberals dominate academia, journalism, and other writing professions, there are nearly three times as many liberal- as conservative-minded people in the creative arts according to a recent study. Alison Dagnes, a professor of political science at Shippensburg University, argues that the same personality traits that shape political preferences also guide the choice of professions. These tendencies just get more pronounced in the case of comedy, which usually requires years of irregular income, late hours, and travel, as well as a certain tolerance for crudeness and heckling.

There are, of course, high-profile conservative comedians in America, such as the members of the Blue  Collar Comedy Tour. But these performers, who include Jeff Foxworthy and Larry the Cable Guy, tend carefully to avoid politicized topics, mocking so-called “rednecks” in the same spirit as Borscht Belt acts mocked Jewish culture.

When it comes to actual political satire, one of the most well-known figures nationally is Dennis Miller, a former Saturday Night Live cast member who now has a weekly segment on Fox News’ O’Reilly Factor. On a recent show, O’Reilly brought up the Democrats’ election losses, and Miller took the bait. “I think liberalism is like a nude beach,” Miller said. “It’s better off in your mind than actually going there.” His jokes are sometimes amusing, but they tend to be grounded in vague ideologies, not the attentive criticism to the news of the day that has given liberal satires plenty of fodder five days a week. The real problem, Frank Rich wrote about Miller, “is that his tone has become preachy. He too often seems a pundit first and a comic second.”

The Flipside, a more recent attempt at conservative satire, was launched this year by Kfir Alfia, who got his start in political performance a decade ago when he joined the Protest Warriors, a conservative group that counter-demonstrated at anti-war protests. The Flipside started airing this fall in more than 200 stations across the country, but its growth is hampered by its small budget, according to The Flipside’s producer, Rodney Lee Connover, who said he has to work 10 times as hard because his show has 10 times fewer resources than the liberal shows supported by cable networks.

Connover was a writer along with Miller on The 1/2 Hour News Hour, the first major attempt to create a conservative counterpart to The Daily Showin 2007. It was cancelled after just 13 episodes and has remained the worst-rated show of all time on Metacritic. It was widely panned by critics who complained that it was trying to be political first and funny second, so the jokes were unsurprising and flat.

The host of The Flipside, Michael Loftus, says he’s doing the same thing as Jon Stewart, just with some conservative window-dressing. Wearing jeans, Loftus stands and delivers his jokes on a set that looks like the set of Tool Time, the fictional home-improvement show Tim Allen hosts on the sitcom Home Improvement: The walls are decorated with a dartboard, a “Men at Work” sign, and various other items the producers might expect to find in a typical American garage. In a recent episode, after Republicans won the Senate, Loftus sang the song, “Looks like we made it …” to celebrate the victory.

But rather than talking about the news, as Colbert and Stewart do, or deconstructing a big political issue, as Oliver does, Loftus frequently makes dated references without offering new context to freshen them up. “What’s the deal with Harry Reid?” he asked in a recent episode. “You either hate him or you hate him, am I right? The man is in the business of telling people how greedy they are, and how they don’t pay their fair share, and he lives in the Ritz Carlton … This guy is literally Mr. Burns from The Simpsons.” Much of his material seems designed to resonate with only the most ardent Fox News viewers. Loftus obviously can’t yet attract the kinds of celebrity guests his network competitors can. But instead of playing games with the guests he can get, he asks softball questions that simply allow them to spout off.

Greg Gutfeld, the host of Fox’s Red Eye, can also be funny, but his willing-to-be-controversial style often comes across as more hackneyed than insightful. “You know you’re getting close to the truth when someone is calling you a racist,” he once said. Gutfeld has also railed against “greenie” leftists who shop at Whole Foods, tolerance, and football players who are openly gay. Gutfeld’s shtick works okay during its 3 a.m. timeslot, but a recent controversy over sexist jokes about a female fighter pilot highlighted just how far his humor is from working in prime time.

So if conservatives have yet to produce their own Jon Stewart, it could be the relatively small number of working conservative comedians, or their lack of power in the entertainment industry. Or it could be that shows like The Flipside are failing at least, in part, because they’re just not that funny. But what is it about political satire that makes it so hard for conservatives to get it right?

Read the entire article here.

Image: Stephen Colbert at the 2014 MontClair Film Festival. Courtesy of the 2014 MontClair Film Festival.

Arts and Letters

Robin Williams You Will Be Missed

Google-search-robin-williams

Mork returned to Ork this weekend; sadly, his creator Robin Williams passed away on August 11, 2014. He was 63. His unique comic genius will be sorely missed.

From NYT:

Some years ago, at a party at the Cannes Film Festival, I was leaning against a rail watching a fireworks display when I heard a familiar voice behind me. Or rather, at least a dozen voices, punctuating the offshore explosions with jokes, non sequiturs and off-the-wall pop-cultural, sexual and political references.

There was no need to turn around: The voices were not talking directly to me and they could not have belonged to anyone other than Robin Williams, who was extemporizing a monologue at least as pyrotechnically amazing as what was unfolding against the Mediterranean sky. I’m unable to recall the details now, but you can probably imagine the rapid-fire succession of accents and pitches — macho basso, squeaky girly, French, Spanish, African-American, human, animal and alien — entangling with curlicues of self-conscious commentary about the sheer ridiculousness of anyone trying to narrate explosions of colored gunpowder in real time.

Part of the shock of his death on Monday came from the fact that he had been on — ubiquitous, self-reinventing, insistently present — for so long. On Twitter, mourners dated themselves with memories of the first time they had noticed him. For some it was the movie “Aladdin.” For others “Dead Poets Society” or “Mrs. Doubtfire.” I go back even further, to the “Mork and Mindy” television show and an album called “Reality — What a Concept” that blew my eighth-grade mind.

Back then, it was clear that Mr. Williams was one of the most explosively, exhaustingly, prodigiously verbal comedians who ever lived. The only thing faster than his mouth was his mind, which was capable of breathtaking leaps of free-associative absurdity. Janet Maslin, reviewing his standup act in 1979, cataloged a tumble of riffs that ranged from an impression of Jacques Cousteau to “an evangelist at the Disco Temple of Comedy,” to Truman Capote Jr. at “the Kindergarten of the Stars” (whatever that was). “He acts out the Reader’s Digest condensed version of ‘Roots,’ ” Ms. Maslin wrote, “which lasts 15 seconds in its entirety. He improvises a Shakespearean-sounding epic about the Three Mile Island nuclear disaster, playing all the parts himself, including Einstein’s ghost.” (That, or something like it, was a role he would reprise more than 20 years later in Steven Spielberg’s “A.I.”)

Read the entire article here.

Image courtesy of Google Search.

Idea Soup

Need Some Exercise? Laugh

Duck_SoupYour sense of humor and wit will keep your brain active and nimble. It will endear you to friends (often), family (usually) and bosses (sometimes). In addition, there is growing evidence that being an amateur (or professional) comedian or a just a connoisseur of good jokes will help you physically as well.

From WSJ:

“I just shot an elephant in my pajamas,” goes the old Groucho Marx joke. “How he got in my pajamas I don’t know.”

You’ve probably heard that one before, or something similar. For example, while viewing polling data for the 2008 presidential election on Comedy Central, Stephen Colbert deadpanned, “If I’m reading this graph correctly…I’d be very surprised.”

Zingers like these aren’t just good lines. They reveal something unusual about how the mind operates—and they show us how humor works. Simply put, the brain likes to jump the gun. We are always guessing where things are going, and we often get it wrong. But this isn’t necessarily bad. It’s why we laugh.

Humor is a form of exercise—a way of keeping the brain engaged. Mr. Colbert’s line is a fine example of this kind of mental calisthenics. If he had simply observed that polling data are hard to interpret, you would have heard crickets chirping. Instead, he misdirected his listeners, leading them to expect ponderous analysis and then bolting in the other direction to declare his own ignorance. He got a laugh as his audience’s minds caught up with him and enjoyed the experience of being fooled.

We benefit from taxing our brains with the mental exercise of humor, much as we benefit from the physical exercise of a long run or a tough tennis match. Comedy extends our mental stamina and improves our mental flexibility. A 1976 study by Avner Ziv of Tel Aviv University found that those who listened to a comedy album before taking a creativity test performed 20% better than those who weren’t exposed to the routine beforehand. In 1987, researchers at the University of Maryland found that watching comedy more than doubles our ability to solve brain teasers, like the so-called Duncker candle problem, which challenges people to attach a candle to a wall using only a book of matches and a box of thumbtacks. Research published in 1998 by psychologist Heather Belanger of the College of William and Mary even suggests that humor improves our ability to mentally rotate imaginary objects in our heads—a key test of spatial thinking ability.

The benefits of humor don’t stop with increased intelligence and creativity. Consider the “cold pressor test,” in which scientists ask subjects to submerge their hands in water cooled to just above the freezing mark.

This isn’t dangerous, but it does allow researchers to measure pain tolerance—which varies, it turns out, depending on what we’ve been doing before dunking our hands. How long could you hold your hand in 35-degree water after watching 10 minutes of Bill Cosby telling jokes? The answer depends on your own pain tolerance, but I can promise that it is longer than it would be if you had instead watched a nature documentary.

Like exercise, humor helps to prepare the mind for stressful events. A study done in 2000 by Arnold Cann, a psychologist at the University of North Carolina, had subjects watch 16 minutes of stand-up comedy before viewing “Faces of Death”—the notorious 1978 shock film depicting scene after scene of gruesome deaths. Those who watched the comedy routine before the grisly film reported significantly less psychological distress than those who watched a travel show instead. The degree to which humor can inoculate us from stress is quite amazing (though perhaps not as amazing as the fact that Dr. Cann got his experiment approved by his university’s ethical review board).

This doesn’t mean that every sort of humor is helpful. Taking a dark, sardonic attitude toward life can be unhealthy, especially when it relies on constant self-punishment. (Rodney Dangerfield: “My wife and I were happy for 20 years. Then we met.”) According to Nicholas Kuiper of the University of Western Ontario, people who resort to this kind of humor experience higher rates of depression than their peers, along with higher anxiety and lower self-esteem. Enjoying a good laugh is healthy, so long as you yourself aren’t always the target.

Having an active sense of humor helps us to get more from life, both cognitively and emotionally. It allows us to exercise our brains regularly, looking for unexpected and pleasing connections even in the face of difficulties or hardship. The physicist Richard Feynman called this “the kick of the discovery,” claiming that the greatest joy of his life wasn’t winning the Nobel Prize—it was the pleasure of discovering new things.

Read the entire story here.

Image: Duck Soup, promotional movie poster (1933). Courtesy of Wikipedia.

 

Idea Soup

Carlos Danger and Other Pseudonyms

Your friendly editor at theDiagonal, also known as, Salvador Gamble, is always game for some sardonic wit. So, we are very proud to point you to Slate’s online pseudonym generator. If, like New York mayoral candidate and ex-U.S. Congressman, Anthony Weiner, you need a mysterious persona to protect your (lewd) stream of consciousness online, then this is the tool for you!

We used the generator to come up with online alter egos for a few of our favorite, trending personalities:

– Chris Froome: Ronaldo Stealth

– Lance Armstrong: Ignacio Death

– Vladimir Putin: Ronaldo Kill

– Mitch McConnell: Inigo Peril

– Ben Bernanke: Pascual Menace

Idea Soup

For Sale – Year in Review

Now is the time of year to review all that has passed during 2012. You know how it goes: celebrity marriages, celebrity divorces, extreme weather records, deaths, best and worst movies. Our favorite moments come courtesy of postings on Craigslist. Annually, Craigslist users nominate their favorites for inclusion in the “Best Of” category. A recent favorite of ours from Pensacola, Florida:

guy with skid mark, bought gallon of whole milk, circle k – w4m

i was in my bikini at the circle k, you came in with your short shirt and your bike shorts on. they were white and you had a pretty sexy skid mark staining your behind. you got 11 sticks of beef jerky and a gallon of whole milk, then rode off on your bicycle. i will know its you because you paid in pennies.

[div class=attrib]From Wired:[end-div]

Homer Simpson’s famous ode to alcohol—”The cause of, and solution to, all of life’s problems”—might apply in equal measure to Craigslist, the wildly popular, barebones site where one can find all of life’s problems and solutions, including: a freelance writing gig, roommates, a sex partner, a man-sized fiberglass chili pepper, a lifetime supply of hot sauce, and coffee beans that have been ingested, digested, and excreted by someone living in Portland.

Each year, Craigslist users across the country flag their favorite classified ads for inclusion in the “best of” category. The bar to inclusion is high, but somehow each year America comes through with memorable postings that remind us just why we went ahead with this whole Web 2.0 thing.

This year was no exception. Here are a few of our favorites.

Paging Michelangelo

“Artist needed. Must love owls,” said one September post, which had something quite specific in mind.

We need an artist to depict the following: an owl skeleton with a parrot on its shoulder. The parrot is not a skeleton and is very colorful. The parrot has a peg leg, with a pirate hat on. The owl has an eye patch and a gold chain necklace with a skull on the pendant of said necklace. The skull in the pendant has an eye patch on the opposite eye of the owl (long story there don’t ask). The owl skeleton also has on a wizard’s hat with that typical wizard hat wrinkle. The owl is standing on a cowboy hat from a whale’s spout. This all is within a snow globe. That santa is holding with his only good hand because his other hand is a hook. Mrs. Clause is pulling on Mr. Clause’s coat with one of those dinosaur mouth grabbers that all 80’s children know.

The artist who could handle the commission would get both some cash and “a prize.”

(Side note: the oddly specific nature of this image request parallels those often received by our own creative director, Aurich Lawson, who has fielded article image suggestions that make this one look absolutely normal by comparison.)

Needed: one lap for aging cat

Next up, the “feline lap surrogate,” which I want to believe is a joke but fear is not. This job post is exactly what it sounds like, viz., the surrogate goes to a home each morning from 8am-12pm and gets paid $15 an hour to sit in a chair and “allow my cat to sit on their lap (the cat is attention seeking, and has been decreasing my productivity as of late).” The ideal candidate must have cat handling experience and no allergies.

“I do not need anyone in the afternoon since the sun warms the window sill by that point, and the cat will prefer the window sill to a lap,” the ad concludes. “Breakfast and lunch will be provided each day.”

[div class=attrib]Read the entire article after the jump.[end-div]