Tag Archives: female

Women Are From Venus, Men Can’t Remember

Yet another body of research underscores how different women are from men. This time, we are told, that the sexes generally encode and recall memories differently. So, the next time you take issue with a spouse (of different gender) about a — typically trivial — past event keep in mind that your own actions, mood and gender will affect your recall. If you’re female, your memories may be much more vivid than your male counterpart, but not necessarily more correct. If you (male) won last night’s argument, your spouse (female) will — unfortunately for you — remember it more accurately than you, which of course will lead to another argument.

From WSJ:

Carrie Aulenbacher remembers the conversation clearly: Her husband told her he wanted to buy an arcade machine he found on eBay. He said he’d been saving up for it as a birthday present to himself. The spouses sat at the kitchen table and discussed where it would go in the den.

Two weeks later, Ms. Aulenbacher came home from work and found two arcade machines in the garage—and her husband beaming with pride.

“What are these?” she demanded.

“I told you I was picking them up today,” he replied.

She asked him why he’d bought two. He said he’d told her he was getting “a package deal.” She reminded him they’d measured the den for just one. He stood his ground.

“I believe I told her there was a chance I was going to get two,” says Joe Aulenbacher, who is 37 and lives in Erie, Pa.

“It still gets me going to think about it a year later,” says Ms. Aulenbacher, 36. “My home is now overrun with two machines I never agreed upon.” The couple compromised by putting one game in the den and the other in Mr. Aulenbacher’s weight room.

It is striking how many arguments in a relationship start with two different versions of an event: “Your tone of voice was rude.” “No it wasn’t.” “You didn’t say you’d be working late.” “Yes I did.” “I told you we were having dinner with my mother tonight.” “No, honey. You didn’t.”

How can two people have different memories of the same event? It starts with the way each person perceives the event in the first place—and how they encoded that memory. “You may recall something differently at least in part because you understood it differently at the time,” says Dr. Michael Ross, professor emeritus in the psychology department at the University of Waterloo in Ontario, Canada, who has studied memory for many years.

Researchers know that spouses sometimes can’t even agree on concrete events that happened in the past 24 hours—such as whether they had an argument or whether one received a gift from the other. A study in the early 1980s, published in the journal “Behavioral Assessment,” found that couples couldn’t perfectly agree on whether they had sex the previous night.

Women tend to remember more about relationship issues than men do. When husbands and wives are asked to recall concrete relationship events, such as their first date, an argument or a recent vacation, women’s memories are more vivid and detailed.

But not necessarily more accurate. When given a standard memory test where they are shown names or pictures and then asked to recall them, women do just about the same as men.

Researchers have found that women report having more emotions during relationship events than men do. They may remember events better because they pay more attention to the relationship and reminisce more about it.

People also remember their own actions better. So they can recall what they did, just not what their spouse did. Researchers call this an egocentric bias, and study it by asking people to recall their contributions to events, as well as their spouse’s. Who cleans the kitchen more? Who started the argument? Whether the event is positive or negative, people tend to believe that they had more responsibility.

Your mood—both when an event happens and when you recall it later—plays a big part in memory, experts say. If you are in a positive mood or feeling positive about the other person, you will more likely recall a positive experience or give a positive interpretation to a negative experience. Similarly, negative moods tend to reap negative memories.

Negative moods may also cause stronger memories. A person who lost an argument remembers it more clearly than the person who won it, says Dr. Ross. Men tend to win more arguments, he says, which may help to explain why women remember the spat more. But men who lost an argument remember it as well as women who lost.

Read the entire article here.

It’s a Woman’s World

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Well, not really. Though, there is no doubting that the planet would look rather different if the genders had truly equal opportunities and pay-offs, or if women generally had all the power that tends to be concentrated in masculine hands.

A short movie by French actor and film-maker Eleonoré Pourriat imagines what our Western culture might resemble if the traditional female-male roles were reversed.

A portent of the future? Perhaps not, but thought-provoking nonetheless. One has to believe that if women had all the levers and trappings of power that they could do a better job than men. Or, perhaps not. It may just be possible that power corrupts — regardless of the gender of the empowered.

From the Independent:

Imagine a world where it is the women who pee in the street, jog bare-chested and harass and physically assault the men. Such a world has just gone viral on the internet. A nine-minute satirical film made by Eleonoré Pourriat, the French actress, script-writer and director, has clocked up hundreds of thousands of views in recent days.

The movie, Majorité Opprimée or “Oppressed Majority”, was made in 2010. It caused a flurry of interest when it was first posted on YouTube early last year. But now it’s time seems to have come. “It is astonishing, just incredible that interest in my film has suddenly exploded in this way,” Ms Pourriat told The Independent. “Obviously, I have touched a nerve. Women in France, but not just in France, feel that everyday sexism has been allowed to go on for too long.”

The star of the short film is Pierre, who is played very convincingly by Pierre Bénézit. He is a slightly gormless stay-at-home father, who spends a day besieged by the casual or aggressive sexism of women in a female-dominated planet. The film, in French with English subtitles, begins in a jokey way and turns gradually, and convincingly, nasty. It is not played for cheap laughs. It has a Swiftian capacity to disturb by the simple trick of reversing roles.

Pierre, pushing his baby-buggy, is casually harassed by a bare-breasted female jogger. He meets a male, Muslim babysitter, who is forced by his wife to wear a balaclava in public. He is verbally abused – “Think I don’t see you shaking your arse at me?” – by a drunken female down-and-out. He is sexually assaulted and humiliated by a knife-wielding girl gang. (“Say your dick is small or I’ll cut off your precious jewels.”)

He is humiliated a second time by a policewoman, who implies that he invented the gang assault. “Daylight and no witnesses, that’s strange,” she says. As she takes Pierre’s statement, the policewoman patronises a pretty, young policeman. “I need a coffee, cutie.”

Pierre’s self-important working wife arrives to collect him. She comforts him at first, calling him “kitten” and “pumpkin”. When he complains that he can no longer stand the permanent aggression of a female-dominated society, she says that he is to blame because of the way he dresses: in short sleeves, flip-flops and Bermudas.

At the second, or third, time of asking, interest in Ms Pourriat’s highly charged little movie has exploded in recent days on social media and on feminist and anti-feminist websites on both sides of the Channel and on both sides of the Atlantic. Some men refuse to see the point. “Sorry, but I would adore to live such a life,” said one French male blogger. “To be raped by a gang of girls. Great! That’s every man’s fantasy.”

Ms Pourriat, 42, acts and writes scripts for comedy movies in France. This was her first film as director. “It is rooted absolutely in my own experience as a woman living in France,” she tells me. “I think French men are worse than men elsewhere, but the incredible success of the movie suggests that it is not just a French problem.

“What angers me is that many women seem to accept this kind of behaviour from men or joke about it. I had long wanted to make a film that would turn the situation on its head.

Read the entire article here.

Video: Majorité Opprimée or “Oppressed Majority by Eleonoré Pourriat.

 

The Power of the Female Artist

Artemisia_Gentileschi-Judith_Beheading_Holofernes

Despite progress gender equality remains a myth in most areas of our modern world. In most endeavors women have made significant strides in catching men — vying for the same levels of attention, education, fame, wealth and power. It is certainly the case in the art world too — women have made, and are continuing to make, progress in attaining parity — but it is still a male dominated culture. That said, some female artists have managed to rise above the male tide to capture the global imagination with their powerful works and ideas.

Jonathan Jones over at his On Art Blog lists for us his top ten most subversive female artists from the last several hundred years. While it would be right to take issue with his notion of subversive, many of the names on the list quite rightly deserve as much mind-share as their male contemporaries.

From the Jonathan Jones:

Artemisia Gentileschi

When she was a teenager, this 17th-century baroque artist was raped by a painter. She responded by turning her art into a weapon. In Gentileschi’s repeated paintings of the biblical story of Judith slaying Holofernes, the Israelite hero is helped by her muscular servant. As one woman holds down Holofernes on his bed, the other saws through his neck with a sword. Blood spurts everywhere in a sensational image of women taking revenge on patriarchy.

Hannah Wilke

In her SOS Starification Object Series (1974-82), Wilke was photographed with blobs of chewing gum stuck on to her flesh. Dotting her face and bare body, these bizarre markings resembled a modern form of tribal scarification (this was before ritualistic body modification became fashionable) and resemble vaginas. Or are they eyes? Wilke’s “starification” marked her with the burden of being objectified by the male gaze.

Adrian Piper

In her Catalysis performances (1970), Piper turned herself into a human provocation in public places such as the New York subway. In one performance, she rode the subway after soaking her clothes in pungent substances for a week to make them stink. She muttered in the street, entered the elevator of the Empire State Building with a red towel stuffed in her mouth or simply made eye contact with strangers. Her purpose was to dramatise social unease and ultimately the unspoken tensions of race in America.

Georgia O’Keeffe

In the early 20th century, Georgia O’Keeffe posed nude for her lover, the modernist photographer and art impressario Alfred Stieglitz, and painted abstractions that have an explicitly vaginal beauty. Compared with some artists in this list she may seem soft, but her cussed exploration of her own body and soul mapped out a new expressive freedom for women making art in the modern age.

Claude Cahun

In photographs taken from the 1920s to 1940s, this French artist often portrays herself in male clothes and hairstyles, contemplating her own transformed image as she experiments with the fictions of gender. Cahun’s pioneering art is typical of the freedom the surrealist movement gave artists to question sexual and social convention.

Louise Bourgeois

The labyrinthine mind of the last great surrealist envelops the spectator of her art in memories of an early 20th-century French childhood, intense secret worlds and the very interior of the body. Collapsing the masculinist art form of sculpture into something organic and ripely carnal, she is the spider of subversion weaving a web that has transformed the very nature of art.

Read the entire list here:

Image: Judith Beheading Holofernes, Artemisia Gentileschi, c1612. Courtesy of Wikimedia.