Tag Archives: painting

New Street Artists Meet Old Masters

Some enterprising and talented street artists have re-imagined works by old masters, such as Rembrandt. An example below: Judith with the Head of Holofernes by 17th century artist Cristofano Allori, followed by a contemporary rendition courtesy of street artist Discreet, 2013.

Judith-AlloriJudith with the Head of Holofernes, 17th century, Cristofano Allori. Photograph: Dulwich Picture Gallery.


Judith-DiscreetJudith with the Head of Holofernes (2013), Dscreet, formerly on Blackwater Street/153 Lordship Lane, London, SE22.

See more juxtaposed, old and new images here.

Images courtesy of Dulwich Picture Gallery and Discreet (photograph by Ingrid Beazley), respectively.

Ten Greatest Works







I would take issue with Jonathan Jones’ top ten best works of art, ever. Though the list of some chosen artists is perhaps a fair representation of la creme de la creme — Rembrandt, da Vinci, Michelangelo and Velasquez for sure.

One work that clearly does belong in the list is Guernica. Picasso summed up the truth of fascism and war in this masterpiece.

See more of Jones’ top ten here.

Image: Guernica, Pablo Picasso, 1937. Prado Museum, Madrid. Courtesy of Wikipedia.

Art From the Tube


The tube is question here is not one containing an artist’s oils or acrylics. And, neither is the tube the Google owned YouTube site. Rather, the tube, is The Tube — London’s metropolitan subway system, also known as the underground. The paintings are part of an exhibit to honor the 150th anniversary of the initial opening of the, mostly, subterranean marvel.

From the Telegraph:

Artist Ewing Paddock has spent three years painting people travelling on the London Underground. The Tube is the place to observe Londoners in all their glorious diversity and Ewing wanted to try to capture some of that in the paintings and also the slightly secret voyeurism that most of us indulge in when watching, and wondering about, our fellow travellers under ground.

See all the wonderful paintings here.

Image: Adam, Eve. An old, old story, deep underground, by Ewing Paddock. Courtesy the Telegraph.

Old Masters or Dirty Old Men?

A recent proposal to ban all pornography across Europe has raised some interesting questions. Not least of which is the issue of how to classify the numerous canvases featuring nudes — mostly women, of course — and sexual fantasies hanging prominently in most of Europe’s museums and galleries. Are Europe’s old masters, such as Titian, Botticelli, Rubens, Rousseau and Manet, pornographers?

From the Guardian:

A proposal to ban all pornography in Europe, recently unearthed by freedom of information campaigners in an EU report, raises an intriguing question. Would this only apply to photography and video, or do reformers also plan to rid Europe of all those lewd paintings by Titian and his contemporaries that joyously celebrate sex in the continent’s most civilised art galleries?

Europe’s great artists were making pornography long before the invention of the camera, let alone the internet. In my new book The Loves of the Artists, I argue that sexual gratification – of both the viewers of art, and artists themselves – was a fundamental drive of high European culture in the age of the old masters. Paintings were used as sexual stimuli, as visual lovers’ guides, as aids to fantasy. This was considered one of the most serious uses of art by no less a thinker than Leonardo da Vinci, who claimed images are better than words because pictures can directly arouse the senses. He was proud that he once painted a Madonna so sexy the owner asked for all its religious trappings to be removed, out of shame for the inappropriate lust it inspired. His painting of St John the Baptist is similarly ambiguous.

This was not a new attitude to art in the Renaissance. As the upcoming exhibition of ancient Pompeii at the British Museum will doubtless show, the ancient Romans also delighted in pornography. Some pornographic paintings now kept in the famous “Secret Museum” of ancient erotica in Naples came from Pompeii’s brothel’s – which makes their function very clear. In the Renaissance, which revered everything classical, ancient Roman sexual imagery was well known to collectors and artists. A notorious classical erotic statue owned by the plutocrat Agostino Chigi caused the 16th-century writer Pietro Aretino to remark, “why should the eyes be denied what delights them most?”

Aretino was a libertarian campaigner long before today’s ethical and political conflicts over pornography. He helped get the engraver Marcantonio Raimondi released from prison after the artist was jailed for publishing a series of erotic prints called The Positions – they depict various sexual positions – then wrote a set of obscene verses to accompany a new edition of what became a European bestseller. Aretino was a close friend of Titian, whose paintings share his licentious delight in sexuality.

Read the entire article following the jump.

Image: Venus of Urbino (Venere di Urbino), 1538 by Titian, Courtesy of Uffizi, Florence / Wikipedia.