Since mid-2007 the restless nine-eyed cameras of Google Street View have been snapping millions, if not billions, of images of the world’s streets.
The mobile cameras with 360 degree views, perched atop Google’s fleet of specially adapted vehicles, have already covered most of North America, Brazil, South Africa, Australia and large swathes of Europe. In roaming many of the world roadways Google’s cameras have also snapped numerous accidental images: people caught unaware, car accidents, odd views into nearby buildings, eerie landscapes.
Regardless of the privacy issues here, the photographs make for some fascinating in-the-moment art. A number of enterprising artists and photographers have included some of these esoteric Google Street View “out-takes” into their work. A selection from Jon Rafman below. See more of his and Google’s work here.
Once in a while a photographer comes along with a simple yet thoroughly new perspective. Japanese artist Photographer Hal fits this description. His images of young Japanese in a variety of contorted and enclosed situations are sometimes funny and disturbing, but certainly different and provocative.
The ubiquity of point-and-click digital cameras and camera-equipped smartphones seems to be leading us towards an era where it is more common to snap and share a picture of the present via a camera lens than it is to experience the present individually and through one’s own eyes.
A recently opened solo art show takes an fascinating inside peek at the cryonics industry. Entitled “The Prospect of Immortality” the show features photography by Murray Ballard. Ballard’s collection of images follows a 5-year investigation of cryonics in England, the United States and Russia. Cryonics is the practice of freezing the human body just after death in the hope that future science will one day have the capability of restoring it to life.
A fascinating and disturbing series of still photographs from Andris Feldmanis shows us what the television “sees” as its viewers glare seemingly mindlessly at the box. As Feldmanis describes,
Big science covering scales from the microscopic to the vastness of the universe continues to deliver stunning new insights, now on a daily basis. I takes huge machines such as the Tevatron at Fermilab, CERN’s Large Hadron Collider, NASA’s Hubble Telescope and the myriad other detectors, arrays, spectrometers, particle smashers to probe some of our ultimate questions. The results from these machines bring us fantastic new perspectives and often show us remarkable pictures of the very small and very large.