Tens of thousands of independent bookstores have disappeared from the United States and Europe over the last decade. Even mega-chains like Borders have fallen prey to monumental shifts in the distribution of ideas and content. The very notion of the physical book is under increasing threat from the accelerating momentum of digitalization.
For bibliophiles, particularly those who crave the feel of physical paper, there is a peculiar attractiveness even to the “bad” bookstore or bookshop (in the UK): the airport bookshop of last resort, the pulp fiction bookstore in a suburban mall. Mark O’Connell over at The Millions tells us there is no such thing as a bad bookstore.
[div class=attrib]From The Millions:[end-div]
Cultural anxieties are currently running high about the future of the book as a physical object, and about the immediate prospects for survival of actual brick and mortar booksellers. When most people think about the (by now very real) possibility of the retail side of the book business disappearing entirely into the online ether, they mostly tend to focus on the idea of their favorite bookshops shutting their doors for the last time. Sub-Borgesian bibliomaniac that I am (or, if you prefer, pathetic nerd), I have a mental image of the perfect bookshop that I hold in my mind. It’s a sort of Platonic ideal of the retail environment, a perfect confluence of impeccable curation and expansive selection, artfully cluttered and with the kind of quietly hospitable ambiance that makes the passage of time seem irrelevant once you start in on browsing the shelves. For me, the actual place that comes closest to embodying this ideal is the London Review Bookshop in Bloomsbury, run by the people behind the London Review of Books. It’s a beautifully laid-out space in a beautiful building, and its selection of books makes it feel less like an actual shop than the personal library of some extremely wealthy and exceptionally well-read individual. It’s the kind of place, in other words, where you don’t so much want to buy half the books in the shop as buy the shop itself, move in straight away and start living in it. The notion that places like this might no longer exist in a decade or so is depressing beyond measure.
But I don’t live in Bloomsbury, or anywhere near it. I live in a suburb of Dublin where the only bookshop within any kind of plausible walking distance is a small and frankly feeble set-up on the second floor of a grim 1970s-era shopping center, above a large supermarket. It’s flanked by two equally moribund concerns, a small record store and a travel agent, thereby forming the centerpiece of a sad triptych of retail obsolescence. It’s one of those places that makes you wonder how it manages to survive at all.
But I have an odd fondness for it anyway, and I’ll occasionally just wander up there in order to get out of the apartment, or to see whether, through some fluke convergence of whim and circumstance, they have something I might actually want to buy. I’ve often bought books there that I would never have thought to pick up in a better bookshop, gravitating toward them purely by virtue of the fact that there’s nothing else remotely interesting to be had.
And this brings me to the point I want to make about bad bookshops, which is that they’re rarely actually as bad as they seem. In a narrow and counterintuitive sense, they’re sometimes better than good bookshops. The way I see it, there are three basic categories of retail bookseller. There’s the vast warehouse that has absolutely everything you could possibly think of (Strand Bookstore in New York’s East Village, for instance, is a fairly extreme representative of this group, or at least it was the last time I was there ten years ago). Then there’s the “boutique” bookshop, where you get a sense of a strong curatorial presence behind the scenes, and which seems to cater for some aspirational ideal of your better intellectual self. The London Review Bookshop is, for me at least, the ultimate instance of this. And then there’s the third — and by far the largest — category, which is the rubbish bookshop. There are lots of subgenii to this grouping. The suburban shopping center fiasco, as discussed above. The chain outlet crammed with celebrity biographies and supernatural teen romances. The opportunistic fly-by-night operation that takes advantage of some short-term lease opening to sell off a random selection of remaindered titles at low prices before shutting down and moving elsewhere. And, of course, the airport bookshop of last resort.
[div class=attrib]Catch more of this essay here.[end-div]
[div class=attrib]Image courtesy of The Millions.[end-div]