Tag Archives: MondayPoem

Monday, February 18, 2013

MondayPoem: Wild Nights – Wild Nights!

Emily Dickinson has been much written about, but still remains enigmatic. Many of her peers thought her to be eccentric and withdrawn. Only after her death did the full extent of her prolific writing become apparent. To this day, her unique poetry is regarded as having ushered in a new era of personal observation and expression.

By Emily Dickinson

- Wild Nights – Wild Nights!

Wild nights – Wild nights!
Were I with thee
Wild nights should be
Our luxury!

Futile – the winds -
To a Heart in port -
Done with the Compass -
Done with the Chart!

Rowing in Eden -
Ah – the Sea!
Might I but moor – tonight -
In thee!

Image: Daguerreotype of the poet Emily Dickinson, taken circa 1848. Courtesy of the Todd-Bingham Picture Collection and Family Papers, Yale University.

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Monday, October 29, 2012

MondayPoem: End of Summer

A month in to fall and it really does now seem like Autumn — leaves are turning and falling, jackets have reappeared, brisk morning walks are now shrouded in darkness.

So, we turn to the first Poet Laureate of the United States of the new millenium — Stanley Kunitz, to remind us of Summer’s end. Kunitz was anointed Laureate at the age of ninety-five, and died six years later. His published works span almost eight decades of thoughtful creativity.

By Stanley Kunitz

- End of Summer

An agitation of the air,
A perturbation of the light
Admonished me the unloved year
Would turn on its hinge that night.

I stood in the disenchanted field
Amid the stubble and the stones,
Amazed, while a small worm lisped to me
The song of my marrow-bones.

Blue poured into summer blue,
A hawk broke from his cloudless tower,
The roof of the silo blazed, and I knew
That part of my life was over.

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Monday, June 11, 2012

MondayPoem: McDonalds Is Impossible

According to Chelsea Martin’s website, “chelsea martin ‘studied’ art and writing at california college of the arts (though she holds no degree because she owes $300 in tuition)”.

From Poetry Foundation:

Chelsea Martin was 23 when she published her first collection, Everything Was Fine until Whatever (2009), a genre-blurring book of short fiction, nonfiction, prose, poetry, sketches, and memoir. She is also the author, most recently, of The Real Funny Thing about Apathy (2010).

By Chelsea Martin

- McDonalds is Impossible

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Monday, December 26, 2011

MondayPoem: The Snow Is Deep on the Ground

We celebrate the arrival of winter to the northern hemisphere with an evocative poem by Kenneth Patchen.

From Poetry Foundation:

An inspiration for the Beat Generation and a true “people’s poet,” Kenneth Patchen was a prolific writer, visual artist and performer whose exuberant, free-form productions celebrate spontaneity and attack injustices, materialism, and war.

By Kenneth Patchen

- The Snow Is Deep on the Ground

The snow is deep on the ground.
Always the light falls
Softly down on the hair of my belovèd.

This is a good world.
The war has failed.
God shall not forget us.
Who made the snow waits where love is.

Only a few go mad.
The sky moves in its whiteness
Like the withered hand of an old king.
God shall not forget us.
Who made the sky knows of our love.

The snow is beautiful on the ground.
And always the lights of heaven glow
Softly down on the hair of my belovèd.

Image: Kenneth Patchen. Courtesy of Wikipedia.

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Monday, December 12, 2011

MondayPoem: Frederick Douglass

Robert Hayden is generally accepted as one of the premier authors of African American poetry. His expertly crafted poems focusing on the black historical experience earned him numerous awards.

Hayden was elected to the American Academy of Poets in 1975. From 1976 – 1978, he was Consultant in Poetry to the Library of Congress (the first African American holder of that post). He died in 1980.

By Robert Hayden

- Frederick Douglass

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Monday, November 28, 2011

MondayPoem: Inferno – Canto I

Dante Alighieri is held in high regard in Italy, where he is often referred to as il Poeta, the poet. He is best known for the monumental poem La Commedia, later renamed La Divina Commedia – The Divine Comedy. Scholars consider it to be the greatest work of literature in the Italian language. Many also consider Dante to be symbolic father of the Italian language.

According to Wikipedia:

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Monday, November 21, 2011

MondayPoem: First Thanksgiving

A chronicler of the human condition and deeply personal emotion, poet Sharon Olds is no shrinking violet. Her contemporary poems have been both highly praised and condemned for their explicit frankness and intimacy.

From Poetry Foundation:

In her Salon interview, Olds addressed the aims of her poetry. “I think that my work is easy to understand because I am not a thinker. I am not a…How can I put it? I write the way I perceive, I guess. It’s not really simple, I don’t think, but it’s about ordinary things—feeling about things, about people. I’m not an intellectual. I’m not an abstract thinker. And I’m interested in ordinary life.” She added that she is “not asking a poem to carry a lot of rocks in its pockets. Just being an ordinary observer and liver and feeler and letting the experience get through you onto the notebook with the pen, through the arm, out of the body, onto the page, without distortion.”

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Monday, November 14, 2011

MondayPoem: Voyager

Poet, essayist and playwright Todd Hearon grew up in North Carolina. He earned a PhD in editorial studies from Boston University. He is winner of a number of national poetry and playwriting awards including the 2007 Friends of Literature Prize and a Dobie Paisano Fellowship from the University of Texas at Austin.

By Todd Hearon

- Voyager

We’ve packed our bags, we’re set to fly
no one knows where, the maps won’t do.
We’re crossing the ocean’s nihilistic blue
with an unborn infant’s opal eye.

It has the clarity of earth and sky
seen from a spacecraft, once removed,
as through an amniotic lens, that groove-
lessness of space, the last star by.

We have set out to live and die
into the interstices of a new
nowhere to be or be returning to

(a little like an infant’s airborne cry).
We’ve set our sights on nothing left to lose
and made of loss itself a lullaby.

Todd Hearon. Image courtesy of Boston University.

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Monday, November 7, 2011

MondayPoem: When the World Ended as We Knew It

Joy Harjo is an acclaimed poet, musician and noted teacher. Her poetry is grounded in the United States’ Southwest and often encompasses Native American stories and values.

As Poetry Foundation remarks:

Consistently praised for the depth and thematic concerns in her writings, Harjo has emerged as a major figure in contemporary American poetry.

She once commented, “I feel strongly that I have a responsibility to all the sources that I am: to all past and future ancestors, to my home country, to all places that I touch down on and that are myself, to all voices, all women, all of my tribe, all people, all earth, and beyond that to all beginnings and endings. In a strange kind of sense [writing] frees me to believe in myself, to be able to speak, to have voice, because I have to; it is my survival.” Harjo’s work is largely autobiographical, informed by her love of the natural world and her preoccupation with survival and the limitations of language.

By Joy Harjo

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Monday, October 24, 2011

MondayPoem: Water

This week, theDiagonal focuses its energies on that most precious of natural resources — water.

In his short poem “Water”, Ralph Waldo Emerson reminds us of its more fundamental qualities.

Emerson published his first book, Nature, in 1836, in which he outlined his transcendentalist philosophy. As Poetry Foundation elaborates:

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Monday, October 17, 2011

MondayPoem: And Death Shall Have No Dominion

Ushering in our week of articles focused mostly on death and loss is a classic piece by Welshman, Dylan Thomas. Although Thomas’ literary legacy is colored by his legendary drinking and philandering, many critics now seem to agree that his poetry belongs in the same class as that of W.H. Auden.

By Dylan Thomas:

- And Death Shall Have No Dominion

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Monday, October 10, 2011

MondayPoem: Further In

Tomas Tranströmer is one of Sweden’s leading poets. He studied poetry and psychology at the University of Stockholm. Tranströmer was awarded the 2011 Nobel Prize for Literature “because, through his condensed, translucent images, he gives us fresh access to reality”.

By Tomas Tranströmer:

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Monday, October 3, 2011

MondayPoem: Immortal Autumn

The Autumnal Equinox finally ushers in some cooler temperatures for the northern hemisphere, and with that we reflect on this most human of seasons courtesy of a poem by Archibald MacLeish.

By Archibald MacLeish:

- Immortal Autumn

I speak this poem now with grave and level voice
In praise of autumn, of the far-horn-winding fall.

I praise the flower-barren fields, the clouds, the tall
Unanswering branches where the wind makes sullen noise.

I praise the fall: it is the human season.
Now

No more the foreign sun does meddle at our earth,
Enforce the green and bring the fallow land to birth,
Nor winter yet weigh all with silence the pine bough,

But now in autumn with the black and outcast crows
Share we the spacious world: the whispering year is gone:
There is more room to live now: the once secret dawn
Comes late by daylight and the dark unguarded goes.

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Monday, September 26, 2011

MondayPoem: When I have Fears That I May Cease to Be

This week’s poem courtesy of the great romantic John Keats delves into the subject of time and brevity on this Earth. Although Keats was frequently scorned by critics during his lifetime, death transformed him into one of England’s most loved poets.

By John Keats:

- When I have Fears That I May Cease to Be

When I have fears that I may cease to be
Before my pen has gleaned my teeming brain,
Before high-pilèd books, in charactery,
Hold like rich garners the full ripened grain;
When I behold, upon the night’s starred face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows with the magic hand of chance;
And when I feel, fair creature of an hour,
That I shall never look upon thee more,
Never have relish in the fairy power
Of unreflecting love—then on the shore
Of the wide world I stand alone, and think
Till love and fame to nothingness do sink.

 

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Monday, September 19, 2011

MondayPoem: Mathematics Considered as a Vice

A poem by Anthony Hecht this week. On Hecht, Poetry Foundation remarks, “[o]ne of the leading voices of his generation, Anthony Hecht’s poetry is known for its masterful use of traditional forms and linguistic control.”

Following Hecht’s death in 2004 the New York Times observed:

It was Hecht’s gift to see into the darker recesses of our complex lives and conjure to his command the exact words to describe what he found there. Hecht remained skeptical about whether pain and contemplation can ultimately redeem us, yet his ravishing poems extend hope to his readers that they can.

By Anthony Hecht:

- Mathematics Considered as a Vice

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Monday, September 12, 2011

MondayPoem: A Little Language

This week theDiagonal triangulates its sights on the topic of language and communication. So, we introduce an apt poem by Robert Duncan. Of Robert Duncan, Poetry Foundation writes:

Though the name Robert Duncan is not well known outside the literary world, within that world it has become associated with a number of superlatives. Kenneth Rexroth, writing in Assays, names Duncan “one of the most accomplished, one of the most influential” of the postwar American poets.

 

By Robert Duncan:

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Monday, September 5, 2011

MondayPoem: A Sunset of the City

Labor Day traditionally signals the end of summer. A poem by Gwendolyn Brooks sets the mood. She was the first black author to win the Pulitzer Prize.
By Gwendolyn Brooks:

A Sunset of the City —

Already I am no longer looked at with lechery or love.
My daughters and sons have put me away with marbles and dolls,
Are gone from the house.
My husband and lovers are pleasant or somewhat polite
And night is night.

It is a real chill out,
The genuine thing.
I am not deceived, I do not think it is still summer
Because sun stays and birds continue to sing.

It is summer-gone that I see, it is summer-gone.
The sweet flowers indrying and dying down,
The grasses forgetting their blaze and consenting to brown.

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Monday, August 29, 2011

MondayPoem: Silence

A poem by Billy Collins ushers in another week. Collins served two terms as the U.S. Poet Laureate, from 2001-2003. He is known for poetry imbued with leftfield humor and deep insight.

By Billy Collins:

Silence —

There is the sudden silence of the crowd
above a player not moving on the field,
and the silence of the orchid.

The silence of the falling vase
before it strikes the floor,
the silence of the belt when it is not striking the child.

The stillness of the cup and the water in it,
the silence of the moon
and the quiet of the day far from the roar of the sun.

The silence when I hold you to my chest,
the silence of the window above us,
and the silence when you rise and turn away.

And there is the silence of this morning
which I have broken with my pen,
a silence that had piled up all night

like snow falling in the darkness of the house—
the silence before I wrote a word
and the poorer silence now.

Image courtesy of Poetry Foundation.

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Monday, August 22, 2011

MondayPoem: The Brain — is wider than the Sky

Ushering in this week’s focus on the brain and the cognitive sciences is an Emily Dickinson poem.

Born is Amherst, Massachusetts in 1830, Emily Dickinson is often characterized as having lead a very private and eccentric life. While few of her poems were published during her lifetime, Emily Dickinson is now regarded as a major American poet for her innovative, pre-modernist poetry.
By Emily Dickinson:

The Brain is wider than the Sky

The Brain — is wider than the Sky —
For — put them side by side —
The one the other will contain
With ease — and You — beside —

The Brain is deeper than the sea —
For — hold them — Blue to Blue —
The one the other will absorb —
As Sponges — Buckets — do —

The Brain is just the weight of God —
For — Heft them — Pound for Pound —
And they will differ — if they do —
As Syllable from Sound —

More on Emily Dickinson from the Poetry Foundation.

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Monday, August 15, 2011

MondayPoem: Three Six Five Zero

A poignant, poetic view of our relationships, increasingly mediated and recalled for us through technology. Conor O’Callaghan’s poem ushers in this week’s collection of articles at theDiagonal focused on technology.

Conor O’Callaghan is an Irish poet. He teaches at Wake Forest University and Sheffield Hallam University in the United Kingdom.

By Conor O’Callaghan, courtesy of Poetry Foundation:

Three Six Five Zero

I called up tech and got the voicemail code.
It’s taken me this long to find my feet.
Since last we spoke that evening it has snowed.

Fifty-four new messages. Most are old
and blinking into a future months complete.
I contacted tech to get my voicemail code

to hear your voice, not some bozo on the road
the week of Thanksgiving dubbing me his sweet
and breaking up and bleating how it snowed

the Nashville side of Chattanooga and slowed
the beltway to a standstill. The radio said sleet.
The kid in tech sent on my voicemail code.

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Monday, August 8, 2011

MondayPoem: Life Cycle of Common Man

Twice Poet Laureate of the United States, Howard Nemerov, catalogs the human condition in his work “Life Cycle of Common Man”.

By Howard Nemerov, courtesy of Poetry Foundation:

Life Cycle of Common Man

Roughly figured, this man of moderate habits,
This average consumer of the middle class,
Consumed in the course of his average life span
Just under half a million cigarettes,
Four thousand fifths of gin and about
A quarter as much vermouth; he drank
Maybe a hundred thousand cups of coffee,
And counting his parents’ share it cost
Something like half a million dollars
To put him through life. How many beasts
Died to provide him with meat, belt and shoes
Cannot be certainly said.
But anyhow,
It is in this way that a man travels through time,
Leaving behind him a lengthening trail
Of empty bottles and bones, of broken shoes,
Frayed collars and worn out or outgrown
Diapers and dinnerjackets, silk ties and slickers.

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Monday, August 1, 2011

MondayPoem: Starlight

Monday’s poem authored by William Meredith, was selected for it is in keeping with our cosmology theme this week.

William Meredith was born in New York City in 1919. He studied English at Princeton University where he graduated Magna Cum Laude. His senior thesis focused on the poetry of Robert Frost, a major influence for Meredith throughout his career.
By William Meredith, courtesy of Poets.org:

Going abruptly into a starry night
It is ignorance we blink from, dark, unhoused;
There is a gaze of animal delight
Before the human vision. Then, aroused
To nebulous danger, we may look for easy stars,
Orion and the Dipper; but they are not ours,

These learned fields. Dark and ignorant,
Unable to see here what our forebears saw,
We keep some fear of random firmament
Vestigial in us. And we think, Ah,
If I had lived then, when these stories were made up, I
Could have found more likely pictures in haphazard sky.

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Monday, July 25, 2011

MondayPoem: August 6th

In keeping with our atoms and all things atomic theme this week, Monday’s poem is authored by Sankichi Toge, Japanese poet and peace activist.

Twenty-four-year-old Sankichi Toge was in Hiroshima when the atomic bomb was dropped on his city. Sankichi Toge began writing poems as a teenager; his first collection of poetry entitled, “Genbaku shishu (“Poems of the Atomic Bomb”) was published in 1951. He died at the age of 36 in Hiroshima.

His poem August 6th is named for the day in August 1945 on which the atomic bomb was dropped on Hiroshima.

August 6th

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Monday, July 18, 2011

MondayPoem: The Enigma of the Infinitesimal

Monday’s poem comes from Mark Strand over a Slate. Strand was United States Poet Laureate during 1990-91. He won the 1999 Pulitzer Prize for Poetry for “Blizzard of One”.

The poem is austere and spare yet is simply evocative. Is Strand conjuring the spirits and ghosts of our imagination? Perhaps not. These “[l]overs of the in-between” are more likely to be the creative misfits who shy away from attention and who don’t conform to our societal norms. Bloggers perhaps?

By Mark Strand for Slate:

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Monday, July 11, 2011

MondayPoem: If You Forget Me

Pablo Neruda (1904–1973)

If You Forget Me, Pablo Neruda

I want you to know
one thing.

You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.

Well, now,
if little by little you stop loving me
I shall stop loving you little by little.

If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.

If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.

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Monday, July 4, 2011

MondayPoem: Let America Be America Again

Let America Be America Again, Langston Hughes

Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed–
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe.

(There’s never been equality for me,
Nor freedom in this “homeland of the free.”)

Say, who are you that mumbles in the dark?
And who are you that draws your veil across the stars?

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Monday, June 27, 2011

MondayPoem: Morning In The Burned House

Morning In The Burned House, Margaret Atwood

In the burned house I am eating breakfast.
You understand: there is no house, there is no breakfast,
yet here I am.

The spoon which was melted scrapes against
the bowl which was melted also.
No one else is around.

Where have they gone to, brother and sister,
mother and father? Off along the shore,
perhaps. Their clothes are still on the hangers,

their dishes piled beside the sink,
which is beside the woodstove
with its grate and sooty kettle,

every detail clear,
tin cup and rippled mirror.
The day is bright and songless,

the lake is blue, the forest watchful.
In the east a bank of cloud
rises up silently like dark bread.

I can see the swirls in the oilcloth,
I can see the flaws in the glass,
those flares where the sun hits them.

I can’t see my own arms and legs
or know if this is a trap or blessing,
finding myself back here, where everything

in this house has long been over,
kettle and mirror, spoon and bowl,
including my own body,

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Monday, November 22, 2010

MondayPoem: The Lie

By Robert Pinsky for Slate:

Denunciation abounds, in its many forms: snark (was that word invented or fostered in a poem, Lewis Carroll’s “The Hunting of the Snark“?), ranking-out, calling-out, bringing-down, blowing-up, flaming, scorching, trashing, negative campaigning, skepticism, exposure, nailing, shafting, finishing, diminishing, down-blogging. Aggressive moral denunciation—performed with varying degrees of justice and skill in life, in print, on the Web, in politics, on television and radio, in book-reviewing, in sports, in courtrooms and committee meetings—generates dismay and glee in its audience. Sometimes, for many of us, dismay and glee simultaneously, in an uneasy combination.

A basic form of denunciation is indicated by the slightly archaic but useful expression giving the lie.

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Monday, September 20, 2010

MondayPoem: The Chimney Sweeper

By Robert Pinsky for Slate:

Here is a pair of poems more familiar than many I’ve presented here in the monthly “Classic Poem” feature—familiar, maybe, yet with an unsettling quality that seems inexhaustible. As in much of William Blake’s writing, what I may think I know, he manages to make me wonder if I really do know.

“Blake’s poetry has the unpleasantness of great poetry,” says T.S. Eliot (who has a way of parodying himself even while making wise observations). The truth in Eliot’s remark, for me, has to do not simply with Blake’s indictment of conventional churches, governments, artists but with his general, metaphysical defiance toward customary ways of understanding the universe.

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Monday, May 31, 2010

MondayPoem: Upon Nothing

By Robert Pinsky for Slate:

The quality of wit, like the Hindu god Shiva, both creates and destroys—sometimes, both at once: The flash of understanding negates a trite or complacent way of thinking, and that stroke of obliteration at the same time creates a new form of insight and a laugh of recognition.

Also like Shiva, wit dances. Leaping gracefully, balancing speed and poise, it can re-embody and refresh old material. Negation itself, for example—verbal play with words like nothing and nobody: In one of the oldest jokes in literature, when the menacing Polyphemus asks Odysseus for his name, Odysseus tricks the monster by giving his name as the Greek equivalent of Nobody.

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