“To paint the things of Christ you must live with Christ,” said the 15th-century artist Fra Angelico. He knew what he was talking about – he was a Dominican monk of such exemplary virtue that in 1982 he was officially beatified by Pope John Paul II. He was also a truly great religious artist whose frescoes at San Marco in Florence have influenced modern artists such as Mark Rothko. But is all holy art that holy?
Essentials
theDiagonal is a personal blog by Mike Gerra, skeptic, technologist, psychologist, artist, humanist, collector of grand, eclectic ideas.theDiagonal blog connects the dots across multiple disciplines for inquisitive, objective and critical thinkers, exploring the vertices of big science, disruptive innovation, global sustainability, illuminating literature and leftfield art. It is on this diagonal that creativity thrives, big ideas take flight and reason triumphs.




Only yesterday we 

Please forget Instagram, Photoshop filters, redeye elimination, automatic camera shake reduction systems and high dynamic range apps. If you’re a true photographer or simply a lover of great photography the choice is much simpler: black and white or color.


The recent finding in a Spanish cave of a painted “red dot” dating from around 40,800 years ago suggests that our Neanderthal cousins may have beaten our species to claim the prize of “first artist”. Yet, evidence remains scant, and even if this were proven to be the case, we Homo sapiens can certainly lay claim to taking it beyond a “red dot” and making art our very own (and much else too.)



Alfred Hitchcock was a pioneer of modern cinema. His finely crafted movies introduced audiences to new levels of suspense, sexuality and violence. His work raised cinema to the level of great art.



Digital cameras and smartphones have enabled their users to become photographers. Affordable composition and editing tools have made us all designers and editors. Social media have enabled, encouraged and sometimes rewarded us for posting content, reviews and opinions for everything under the sun. So, now we are all critics. So, now are we all curators as well?
From Jonathan Jones over at the Guardian: