Shirking Life-As-Performance of a Social Network

Ex-Facebook employee number 51, gives us a glimpse from within the social network giant. It’s a tale of social isolation, shallow relationships, voyeurism, and narcissistic performance art. It’s also a tale of the re-discovery of life prior to “likes”, “status updates”, “tweets” and “followers”.

[div class=attrib]From the Washington Post:[end-div]

Not long after Katherine Losse left her Silicon Valley career and moved to this West Texas town for its artsy vibe and crisp desert air, she decided to make friends the old-fashioned way, in person. So she went to her Facebook page and, with a series of keystrokes, shut it off.

The move carried extra import because Losse had been the social network’s 51st employee and rose to become founder Mark Zuckerberg’s personal ghostwriter. But Losse gradually soured on the revolution in human relations she witnessed from within.

The explosion of social media, she believed, left hundreds of millions of users with connections that were more plentiful but also narrower and less satisfying, with intimacy losing out to efficiency. It was time, Losse thought, for people to renegotiate their relationships with technology.

“It’s okay to feel weird about this because I feel weird about this, and I was in the center of it,” said Losse, 36, who has long, dark hair and sky-blue eyes. “We all know there is an anxiety, there’s an unease, there’s a worry that our lives are changing.”

Her response was to quit her job — something made easier by the vested stock she cashed in — and to embrace the ancient toil of writing something in her own words, at book length, about her experiences and the philosophical questions they inspired.

That brought her to Marfa, a town of 2,000 people in an area so remote that astronomers long have come here for its famously dark night sky, beyond the light pollution that’s a byproduct of modern life.

Losse’s mission was oddly parallel. She wanted to live, at least for a time, as far as practical from the world’s relentless digital glow.

Losse was a graduate student in English at Johns Hopkins University in 2004 when Facebook began its spread, first at Harvard, then other elite schools and beyond. It provided a digital commons, a way of sharing personal lives that to her felt safer than the rest of the Internet.

The mix has proved powerful. More than 900 million people have joined; if they were citizens of a single country, Facebook Nation would be the world’s third largest.

At first, Losse was among those smitten. In 2005, after moving to Northern California in search of work, she responded to a query on the Facebook home page seeking résumés. Losse soon became one of the company’s first customer-service reps, replying to questions from users and helping to police abuses.

She was firmly on the wrong side of the Silicon Valley divide, which prizes the (mostly male) engineers over those, like Losse, with liberal arts degrees. Yet she had the sense of being on the ground floor of something exciting that might also yield a life-altering financial jackpot.

In her first days, she was given a master password that she said allowed her to see any information users typed into their Facebook pages. She could go into pages to fix technical problems and police content. Losse recounted sparring with a user who created a succession of pages devoted to anti-gay messages and imagery. In one exchange, she noticed the man’s password, “Ilovejason,” and was startled by the painful irony.

Another time, Losse cringed when she learned that a team of Facebook engineers was developing what they called “dark profiles” — pages for people who had not signed up for the service but who had been identified in posts by Facebook users. The dark profiles were not to be visible to ordinary users, Losse said, but if the person eventually signed up, Facebook would activate those latent links to other users.

All the world a stage

Losse’s unease sharpened when a celebrated Facebook engineer was developing the capacity for users to upload video to their pages. He started videotaping friends, including Losse, almost compulsively. On one road trip together, the engineer made a video of her napping in a car and uploaded it remotely to an internal Facebook page. Comments noting her siesta soon began appearing — only moments after it happened.

“The day before, I could just be in a car being in a car. Now my being in a car is a performance that is visible to everyone,” Losse said, exasperation creeping into her voice. “It’s almost like there is no middle of nowhere anymore.”

Losse began comparing Facebook to the iconic 1976 Eagles song “Hotel California,” with its haunting coda, “You can check out anytime you want, but you can never leave.” She put a copy of the record jacket on prominent display in a house she and several other employees shared not far from the headquarters (then in Palo Alto., Calif.; it’s now in Menlo Park).

As Facebook grew, Losse’s career blossomed. She helped introduce Facebook to new countries, pushing for quick, clean translations into new languages. Later, she moved to the heart of the company as Zuckerberg’s ghostwriter, mimicking his upbeat yet efficient style of communicating in blog posts he issued.

But her concerns continue to grow. When Zuckerberg, apparently sensing this, said to Losse, “I don’t know if I trust you,” she decided she needed to either be entirely committed to Facebook or leave. She soon sold some of her vested stock. She won’t say how much; they provided enough of a financial boon for her to go a couple of years without a salary, though not enough to stop working altogether, as some former colleagues have.

‘Touchy, private territory’

Among Losse’s concerns were the vast amount of personal data Facebook gathers. “They are playing on very touchy, private territory. They really are,” she said. “To not be conscious of that seems really dangerous.”

It wasn’t just Facebook. Losse developed a skepticism for many social technologies and the trade-offs they require.

Facebook and some others have portrayed proliferating digital connections as inherently good, bringing a sprawling world closer together and easing personal isolation.

Moira Burke, a researcher who trained at the Human-Computer Interaction Institute at Carnegie Mellon University and has since joined Facebook’s Data Team, tracked the moods of 1,200 volunteer users. She found that simply scanning the postings of others had little effect on well-being; actively participating in exchanges with friends, however, relieved loneliness.

Summing up her findings, she wrote on Facebook’s official blog, “The more people use Facebook, the better they feel.”

But Losse’s concerns about online socializing tracks with the findings of Sherry Turkle, a Massachusetts Institute of Technology psychologist who says users of social media have little understanding of the personal information they are giving away. Nor, she said, do many understand the potentially distorting consequences when they put their lives on public display, as what amounts to an ongoing performance on social media.

“In our online lives, we edit, we retouch, we clean up,” said Turkle, author of “Alone Together: Why We Expect More From Technology and Less From Each Other,” published in 2011. “We substitute what I call ‘connection for real conversation.’?”

[div class=attrib]Read the entire article after the jump.[end-div]

[div class=attrib]Image: The Boy Kings by Katherine Losse.[end-div]