Tag Archives: FOMO

Pics Or It Didn’t Happen

Apparently, in this day and age of ubiquitous technology there is no excuse for not having evidence. So, if you recently had a terrific (or terrible) meal in your (un-)favorite restaurant you must have pictures to back up your story. If you just returned from a gorgeous mountain hike you must have images for every turn on the trial. Just attended your high-school reunion? Pictures! Purchased a new mattress? Pictures! Cracked your heirloom tea service? Pictures! Mowed the lawn? Pictures! Stubbed toe? Pictures!

The pressure to record our experiences has grown in lock-step with the explosive growth in smartphones and connectivity. Collecting and sharing our memories remains a key part of our story-telling nature. But, this obsessive drive to record every minutiae of every experience, however trivial, has many missing the moment — behind the camera or in front of it, we are no longer in the moment.

Just as our online social networks have stirred growth in the increasingly neurotic condition known as FOMO (fear of missing out), we are now on the cusp on some new techno-enabled, acronym-friendly disorders. Let’s call these FONBB — fear of not being believed, FONGELOFAMP — fear of not getting enough likes or followers as my peers, FOBIO — fear of becoming irrelevant online.

From NYT:

“Pics or it didn’t happen” is the response you get online when you share some unlikely experience or event and one of your friends, followers or stalkers calls you out for evidence. “Next thing I know, I’m bowling with Bill Murray!” Pics or it didn’t happen. “I taught my cockatoo how to rap ‘Baby Got Back’ — in pig Latin.” Pics or it didn’t happen. “Against all odds, I briefly smiled today.” Pics or it didn’t happen!

It’s a glib reply to a comrade’s boasting — coming out of Internet gaming forums to rebut boasts about high scores and awesome kills — but the fact is we like proof. Proof in the instant replay that decides the big game, the vacation pic that persuades us we were happy once, the selfie that reassures us that our face is still our own. “Pics or it didn’t happen” gained traction because in an age of bountiful technology, when everyone is armed with a camera, there is no excuse for not having evidence.

Does the phrase have what it takes to transcend its humble origins as a cruddy meme and become an aphorism in the pantheon of “A picture is worth a thousand words” and “Seeing is believing”? For clues to the longevity of “Pics,” let’s take a survey of some classic epigrams about visual authority and see how they hold up under the realities of contemporary American life.

“A picture is worth a thousand words” is a dependable workhorse, emerging from early-­20th-­century newspaper culture as a pitch to advertisers: Why rely on words when an illustration can accomplish so much more? It seems appropriate to test the phrase with a challenge drawn from contemporary news media. Take one of the Pulitzer Prize-­winning photographs from The St. Louis Post-­Dispatch’s series on Ferguson. In the darkness, a figure is captured in an instant of dynamic motion: legs braced, long hair flying wild, an extravagant plume of smoke and flames trailing from the incendiary object he is about to hurl into space. His chest is covered by an American-­flag T-­shirt, he holds fire in one hand and a bag of chips in the other, a living collage of the grand and the bathetic.

Headlines — like the graphics that gave birth to “A picture is worth a thousand words” — are a distillation, a shortcut to meaning. Breitbart News presented that photograph under “Rioters Throw Molotov Cocktails at Police in Ferguson — Again.” CBS St. Louis/Associated Press ran with “Protester Throws Tear-­Gas Canister Back at Police While Holding Bag of Chips.” Rioter, protester, Molotov cocktail, tear-­gas canister. Peace officers, hypermilitarized goons. What’s the use of a thousand words when they are Babel’s noise, the confusion of a thousand interpretations?

“Seeing is believing” was an early entry in the canon. Most sources attribute it to the Apostle Thomas’s incredulity over Jesus’ resurrection. (“Last night after you left the party, Jesus turned all the water into wine” is a classic “Pics or it didn’t happen” moment.) “Unless I see the nail marks in his hands and put my finger where the nails were, and put my hand into his side, I will not believe it.” Once Jesus shows up, Thomas concludes that seeing will suffice. A new standard of proof enters the lexicon.

Intuitive logic is not enough, though. Does “Seeing is believing” hold up when confronted by current events like, say, the killing of Eric Garner last summer by the police? The bystander’s video is over two minutes long, so dividing it into an old-­fashioned 24 frames per second gives us a bounty of more than 3,000 stills. A real bonanza, atrocity-­wise. But here the biblical formulation didn’t hold up: Even with the video and the medical examiner’s assessment of homicide, a grand jury declined to indict Officer Daniel Pantaleo. Time to downgrade “Seeing is believing,” too, and kick “Justice is blind” up a notch.

Can we really use one cherry-­picked example to condemn a beloved idiom? Is the system rigged? Of course it is. Always, everywhere. Let’s say these expressions concerning visual evidence are not to blame for their failures, but rather subjectivity is. The problem is us. How we see things. How we see people. We can broaden our idiomatic investigations to include phrases that account for the human element, like “The eyes are the windows to the soul.” We can also change our idiomatic stressors from contemporary video to early photography. Before smartphones put a developing booth in everyone’s pocket, affordable portable cameras loosed amateur photographers upon the world. Everyday citizens could now take pictures of children in their Sunday best, gorgeous vistas of unspoiled nature and lynchings.

A hundred years ago, Americans took souvenirs of lynchings, just as we might now take a snapshot of a farewell party for a work colleague or a mimosa-­heavy brunch. They were keepsakes, sent to relatives to allow them to share in the event, and sometimes made into postcards so that one could add a “Wish you were here”-­type endearment. In the book “Without Sanctuary: Lynching Photography in America,” Leon F. Litwack shares an account of the 1915 lynching of Thomas Brooks in Fayette County, Tenn. “Hundreds of Kodaks clicked all morning at the scene. .?.?. People in automobiles and carriages came from miles around to view the corpse dangling at the end of the rope.” Pics or it didn’t happen. “Picture-­card photographers installed a portable printing plant at the bridge and reaped a harvest in selling postcards.” Pics or it didn’t happen. “Women and children were there by the score. At a number of country schools, the day’s routine was delayed until boy and girl pupils could get back from viewing the lynched man.” Pics or it didn’t happen.

Read the entire story here.

FOMO Reshaping You and Your Network

Fear of missing out (FOMO) and other negative feelings are greatly disproportional to good ones in online social networks. The phenomenon is widespread and well-documented. Compound this with the observation — though unintuitive — that your online friends will have more friends and be more successful than you, and you have a recipe for a growing, deep-seated inferiority complex. Add to this other behavioral characteristics that are peculiar or exaggerated in online social networks and you have a more fundamental recipe — one that threatens the very fabric of the network itself. Just consider how online trolling, status lurking, persona-curation, passive monitoring, stalking and deferred (dis-)liking are re-fashioning our behaviors and the networks themselves.

From ars technica:

I found out my new college e-mail address in 2005 from a letter in the mail. Right after opening the envelope, I went straight to the computer. I was part of a LiveJournal group made of incoming students, and we had all been eagerly awaiting our college e-mail addresses, which had a use above and beyond corresponding with professors or student housing: back then, they were required tokens for entry to the fabled thefacebook.com.

That was nine years ago, and Facebook has now been in existence for 10. But even in those early days, Facebook’s cultural impact can’t be overstated. A search for “Facebook” on Google Scholar alone now produces 1.2 million results from 2006 on; “Physics” only returns 456,000.

But in terms of presence, Facebook is flopping around a bit now. The ever-important “teens” despise it, and it’s not the runaway success, happy addiction, or awe-inspiring source of information it once was. We’ve curated our identities so hard and had enough experiences with unforeseen online conflict that Facebook can now feel more isolating than absorbing. But what we are dissatisfied with is what Facebook has been, not what it is becoming.

Even if the grand sociological experiment that was Facebook is now running a little dry, the company knows this—which is why it’s transforming Facebook into a completely different entity. And the cause of all this built-up disarray that’s pushing change? It’s us. To prove it, let’s consider the social constructs and weirdnesses Facebook gave rise to, how they ultimately undermined the site, and how these ideas are shaping Facebook into the company it is now and will become.

Cue that Randy Newman song

Facebook arrived late to the concept of online friending, long after researchers started wondering about the structure of these social networks. What Facebook did for friending, especially reciprocal friending, was write it so large that it became a common concern. How many friends you had, who did and did not friend you back, and who should friend each other first all became things that normal people worried about.

Once Facebook opened beyond colleges, it became such a one-to-one representation of an actual social network that scientists started to study it. They applied social theories like those of weak ties or identity creation to see how they played out sans, or in supplement to, face-to-face interactions.

In a 2007 study, when Facebook was still largely campus-bound, a group of researchers said that Facebook “appears to play an important role in the process by which students form and maintain social capital.” They were using it to keep in touch with old friends and “to maintain or intensify relationships characterized by some form of offline connection.”

This sounds mundane now, since Facebook is so integrated into much of our lives. Seeing former roommates or childhood friends posting updates to Facebook feels as commonplace as literally seeing them nearly every day back when we were still roommates at 20 or friends at eight.

But the ability to keep tabs on someone without having to be proactive about it—no writing an e-mail, making a phone call, etc.—became the unique selling factor of Facebook. Per the 2007 study above, Facebook became a rich opportunity for “convert[ing] latent ties into weak ties,” connections that are valuable because they are with people who are sufficiently distant socially to bring in new information and opportunities.

Some romantic pixels have been spilled about the way no one is ever lost to anyone anymore; most people, including ex-lovers, estranged family members, or missed connections are only a Wi-Fi signal away.

“Modern technology has made our worlds smaller, but perhaps it also has diminished life’s mysteries, and with them, some sense of romance,” writes David Vecsey in The New York Times. Vecsey cites a time when he tracked down a former lover “across two countries and an ocean,” something he would not have done in the absence of passive social media monitoring. “It was only in her total absence, in a total vacuum away from her, that I was able to appreciate the depth of love I felt.”

The art of the Facebook-stalk

While plenty of studies have been conducted on the productive uses of Facebook—forming or maintaining weak ties, supplementing close relationships, or fostering new, casual ones—there are plenty that also touch on the site as a means for passive monitoring. Whether it was someone we’d never met, a new acquaintance, or an unrequited infatuation, Facebook eventually had enough breadth that you could call up virtually anyone’s profile, if only to see how fat they’ve gotten.

One study referred to this process as “social investigation.” We developed particular behaviors to avoid creating suspicion: do not “like” anything by the object of a stalking session, or if we do like it, don’t “like” too quickly; be careful not to type a name we want to search into the status field by accident; set an object of monitoring as a “close friend,” even if they aren’t, so their updates show up without fail; friend their friends; surreptitiously visit profile pages multiple times a day in case we missed anything.

This passive monitoring is one of the more utilitarian uses of Facebook. It’s also one of the most addictive. The (fictionalized) movie The Social Network closes with Facebook’s founder, Mark Zuckerberg, gazing at the Facebook profile of a high-school crush. Facebook did away with the necessity of keeping tabs on anyone. You simply had all of the tabs, all of the time, with the most recent information whenever you wanted to look at them.

The book Digital Discourse cites a classic example of the Facebook stalk in an IM conversation between two teenagers:

“I just saw what Tanya Eisner wrote on your Facebook wall. Go to her house,” one says.
“Woah, didn’t even see that til right now,” replies the other.
“Haha it looks like I stalk you… which I do,” says the first.
“I stalk u too its ok,” comforts the second.

But even innocent, casual information recon in the form of a Facebook stalk can rub us the wrong way. Any instance of a Facebook interaction that ends with an unexpected third body’s involvement can taint the rest of users’ Facebook behavior, making us feel watched.

Digital Discourse states that “when people feel themselves to be the objects of stalking, creeping, or lurking by third parties, they express annoyance or even moral outrage.” It cites an example of another teenager who gets a wall post from a person she barely knows, and it explains something she wrote about in a status update. “Don’t stalk my status,” she writes in mocking command to another friend, as if talking to the interloper.

You are who you choose to be

“The advent of the Internet has changed the traditional conditions of identity production,” reads a study from 2008 on how people presented themselves on Facebook. People had been curating their presences online for a long time before Facebook, but the fact that Facebook required real names and, for a long time after its inception, association with an educational institution made researchers wonder if it would make people hew a little closer to reality.

But beyond the bounds of being tied to a real name, users still projected an idealized self to others; a type of “possible self,” or many possible selves, depending on their sharing settings. Rather than try to describe themselves to others, users projected a sort of aspirational identity.

People were more likely to associate themselves with cultural touchstones, like movies, books, or music, than really identify themselves. You might not say you like rock music, but you might write Led Zeppelin as one of your favorite bands, and everyone else can infer your taste in music as well as general taste and coolness from there.

These identity proxies also became vectors for seeking approval. “The appeal is as much to the likeability of my crowd, the desirability of my boyfriend, or the magic of my music as it is to the personal qualities of the Facebook users themselves,” said the study. The authors also noted that, for instance, users tended to post photos of themselves mostly in groups in social situations. Even the profile photos, which would ostensibly have a single subject, were socially styled.

As the study concluded, “identity is not an individual characteristic; it is not an expression of something innate in a person, it is rather a social product, the outcome of a given social environment and hence performed differently in varying contexts.” Because Facebook was so susceptible to this “performance,” so easily controlled and curated, it quickly became less about real people and more about highlight reels.

We came to Facebook to see other real people, but everyone, even casual users, saw it could be gamed for personal benefit. Inflicting our groomed identities on each other soon became its own problem.

Fear of missing out

A long-time problem of social networks has been that the bad feelings they can generate are greatly disproportional to good ones.

In strict terms of self-motivation, posting something and getting a good reception feels good. But most of Facebook use is watching other people post about their own accomplishments and good times. For a social network of 300 friends with an even distribution of auspicious life events, you are seeing 300 times as many good things happen to others as happen to you (of course, everyone has the same amount of good luck, but in bulk for the consumer, it doesn’t feel that way). If you were happy before looking at Facebook, or even after posting your own good news, you’re not now.

The feelings of inadequacy did start to drive people back to Facebook. Even in the middle of our own vacations, celebration dinners, or weddings, we might check Facebook during or after to compare notes and see if we really had the best time possible.

That feeling became known as FOMO, “fear of missing out.” As Jenna Wortham wrote in The New York Times, “When we scroll through pictures and status updates, the worry that tugs at the corners of our minds is set off by the fear of regret… we become afraid that we’ve made the wrong decision about how to spend our time.”

Even if you had your own great stuff to tell Facebook about, someone out there is always doing better. And Facebook won’t let you forget. The brewing feeling of inferiority means users don’t post about stuff that might be too lame. They might start to self-censor, and then the bar for what is worth the “risk” of posting rises higher and higher. As people stop posting, there is less to see, less reason to come back and interact, like, or comment on other people’s material. Ultimately, people, in turn, have less reason to post.

Read the entire article here.

FOMO: An Important New Acronym

FOMO is an increasing “problem” for college students and other young adults. Interestingly, and somewhat ironically, FOMO seems to be a more chronic issue in a culture mediated by online social networks. So, what is FOMO? And do you have it?

[div class=attrib]From the Washington Post:[end-div]

Over the past academic year, there has been an explosion of new or renewed campus activities, pop culture phenomena, tech trends, generational shifts, and social movements started by or significantly impacting students. Most can be summed up in a single word.

As someone who monitors student life and student media daily, I’ve noticed a small number of words appearing more frequently, prominently or controversially during the past two semesters on campuses nationwide. Some were brand-new. Others were redefined or reached a tipping point of interest or popularity. And still others showed a remarkable staying power, carrying over from semesters and years past.

I’ve selected 15 as finalists for what I am calling the “2011-2012 College Word of the Year Contest.” Okay, a few are actually acronyms or short phrases. But altogether the terms — whether short-lived or seemingly permanent — offer a unique glimpse at what students participated in, talked about, fretted over, and fought for this past fall and spring.

As Time Magazine’s Touré confirms, “The words we coalesce around as a society say so much about who we are. The language is a mirror that reflects our collective soul.”

Let’s take a quick look in the collegiate rearview mirror. In alphabetical order, here are my College Word of the Year finalists.

1) Boomerangers: Right after commencement, a growing number of college graduates are heading home, diploma in hand and futures on hold. They are the boomerangers, young 20-somethings who are spending their immediate college afterlife in hometown purgatory. A majority move back into their childhood bedroom due to poor employment or graduate school prospects or to save money so they can soon travel internationally, engage in volunteer work or launch their own business.

A brief homestay has long been an option favored by some fresh graduates, but it’s recently reemerged in the media as a defining activity of the current student generation.

“Graduation means something completely different than it used to 30 years ago,” student columnist Madeline Hennings wrote in January for the Collegiate Times at Virginia Tech. “At my age, my parents were already engaged, planning their wedding, had jobs, and thinking about starting a family. Today, the economy is still recovering, and more students are moving back in with mom and dad.”

2) Drunkorexia: This five-syllable word has become the most publicized new disorder impacting college students. Many students, researchers and health professionals consider it a dangerous phenomenon. Critics, meanwhile, dismiss it as a media-driven faux-trend. And others contend it is nothing more than a fresh label stamped onto an activity that students have been carrying out for years.

The affliction, which leaves students hungry and at times hung over, involves “starving all day to drink at night.” As a March report in Daily Pennsylvanian at the University of Pennsylvania further explained, it centers on students “bingeing or skipping meals in order to either compensate for alcohol calories consumed later at night, or to get drunk faster… At its most severe, it is a combination of an eating disorder and alcohol dependency.”

4) FOMO: Students are increasingly obsessed with being connected — to their high-tech devices, social media chatter and their friends during a night, weekend or roadtrip in which something worthy of a Facebook status update or viral YouTube video might occur.  (For an example of the latter, check out this young woman “tree dancing“ during a recent music festival.)

This ever-present emotional-digital anxiety now has a defining acronym: FOMO or Fear of Missing Out.  Recent Georgetown University graduate Kinne Chapin confirmed FOMO “is a widespread problem on college campuses. Each weekend, I have a conversation with a friend of mine in which one of us expresses the following: ‘I’m not really in the mood to go out, but I feel like I should.’ Even when we’d rather catch up on sleep or melt our brain with some reality television, we feel compelled to seek bigger and better things from our weekend. We fear that if we don’t partake in every Saturday night’s fever, something truly amazing will happen, leaving us hopelessly behind.”

[div class=attrib]Read the entire article after the jump.[end-div]

[div class=attrib]Image courtesy of Urban Dictionary.[end-div]