Tag Archives: Asimov

Cross-Connection Requires a Certain Daring

A previously unpublished essay by Isaac Asimov on the creative process shows us his well reasoned thinking on the subject. While he believed that deriving new ideas could be done productively in a group, he seemed to gravitate more towards the notion of the lone creative genius. Both, however, require the innovator(s) to cross-connect thoughts, often from disparate sources.

From Technology Review:

How do people get new ideas?

Presumably, the process of creativity, whatever it is, is essentially the same in all its branches and varieties, so that the evolution of a new art form, a new gadget, a new scientific principle, all involve common factors. We are most interested in the “creation” of a new scientific principle or a new application of an old one, but we can be general here.

One way of investigating the problem is to consider the great ideas of the past and see just how they were generated. Unfortunately, the method of generation is never clear even to the “generators” themselves.

But what if the same earth-shaking idea occurred to two men, simultaneously and independently? Perhaps, the common factors involved would be illuminating. Consider the theory of evolution by natural selection, independently created by Charles Darwin and Alfred Wallace.

There is a great deal in common there. Both traveled to far places, observing strange species of plants and animals and the manner in which they varied from place to place. Both were keenly interested in finding an explanation for this, and both failed until each happened to read Malthus’s “Essay on Population.”

Both then saw how the notion of overpopulation and weeding out (which Malthus had applied to human beings) would fit into the doctrine of evolution by natural selection (if applied to species generally).

Obviously, then, what is needed is not only people with a good background in a particular field, but also people capable of making a connection between item 1 and item 2 which might not ordinarily seem connected.

Undoubtedly in the first half of the 19th century, a great many naturalists had studied the manner in which species were differentiated among themselves. A great many people had read Malthus. Perhaps some both studied species and read Malthus. But what you needed was someone who studied species, read Malthus, and had the ability to make a cross-connection.

That is the crucial point that is the rare characteristic that must be found. Once the cross-connection is made, it becomes obvious. Thomas H. Huxley is supposed to have exclaimed after reading On the Origin of Species, “How stupid of me not to have thought of this.”

But why didn’t he think of it? The history of human thought would make it seem that there is difficulty in thinking of an idea even when all the facts are on the table. Making the cross-connection requires a certain daring. It must, for any cross-connection that does not require daring is performed at once by many and develops not as a “new idea,” but as a mere “corollary of an old idea.”

It is only afterward that a new idea seems reasonable. To begin with, it usually seems unreasonable. It seems the height of unreason to suppose the earth was round instead of flat, or that it moved instead of the sun, or that objects required a force to stop them when in motion, instead of a force to keep them moving, and so on.

A person willing to fly in the face of reason, authority, and common sense must be a person of considerable self-assurance. Since he occurs only rarely, he must seem eccentric (in at least that respect) to the rest of us. A person eccentric in one respect is often eccentric in others.

Consequently, the person who is most likely to get new ideas is a person of good background in the field of interest and one who is unconventional in his habits. (To be a crackpot is not, however, enough in itself.)

Once you have the people you want, the next question is: Do you want to bring them together so that they may discuss the problem mutually, or should you inform each of the problem and allow them to work in isolation?

My feeling is that as far as creativity is concerned, isolation is required. The creative person is, in any case, continually working at it. His mind is shuffling his information at all times, even when he is not conscious of it. (The famous example of Kekule working out the structure of benzene in his sleep is well-known.)

The presence of others can only inhibit this process, since creation is embarrassing. For every new good idea you have, there are a hundred, ten thousand foolish ones, which you naturally do not care to display.

Nevertheless, a meeting of such people may be desirable for reasons other than the act of creation itself.

Read the entire article here.

Asimov Fifty Years On

1957-driverless-car

In 1964, Isaac Asimov wrote an essay for the New York Times entitled, Visit the World’s Fair in 2014. The essay was a free-wheeling opinion of things to come, viewed through the lens of New York’s World’s Fair of 1964. The essay shows that even a grand master of science fiction cannot predict the future — he got some things quite right and other things rather wrong. Some examples below, and his full essay are below.

That said, what has captured recent attention is Asimov’s thinking on the complex and evolving relationship between humans and technology, and the challenges of environmental stewardship in an increasingly over-populated and resource-starved world.

So, while Asimov was certainly not a teller of fortunes, we had many insights that many, even today, still lack.

Read the entire Isaac Asimov essay here.

What Asimov got right:

“Communications will become sight-sound and you will see as well as hear the person you telephone.”

“As for television, wall screens will have replaced the ordinary set…”

“Large solar-power stations will also be in operation in a number of desert and semi-desert areas…”

“Windows… will be polarized to block out the harsh sunlight. The degree of opacity of the glass may even be made to alter automatically in accordance with the intensity of the light falling upon it.”

What Asimov got wrong:

“The appliances of 2014 will have no electric cords, of course, for they will be powered by long- lived batteries running on radioisotopes.”

“…cars will be capable of crossing water on their jets…”

“For short-range travel, moving sidewalks (with benches on either side, standing room in the center) will be making their appearance in downtown sections.”

From the Atlantic:

In August of 1964, just more than 50 years ago, author Isaac Asimov wrote a piece in The New York Times, pegged to that summer’s World Fair.

In the essay, Asimov imagines what the World Fair would be like in 2014—his future, our present.

His notions were strange and wonderful (and conservative, as Matt Novak writes in a great run-down), in the way that dreams of the future from the point of view of the American mid-century tend to be. There will be electroluminescent walls for our windowless homes, levitating cars for our transportation, 3D cube televisions that will permit viewers to watch dance performances from all angles, and “Algae Bars” that taste like turkey and steak (“but,” he adds, “there will be considerable psychological resistance to such an innovation”).

He got some things wrong and some things right, as is common for those who engage in the sport of prediction-making. Keeping score is of little interest to me. What is of interest: what Asimov understood about the entangled relationships among humans, technological development, and the planet—and the implications of those ideas for us today, knowing what we know now.

Asimov begins by suggesting that in the coming decades, the gulf between humans and “nature” will expand, driven by technological development. “One thought that occurs to me,” he writes, “is that men will continue to withdraw from nature in order to create an environment that will suit them better. “

It is in this context that Asimov sees the future shining bright: underground, suburban houses, “free from the vicissitudes of weather, with air cleaned and light controlled, should be fairly common.” Windows, he says, “need be no more than an archaic touch,” with programmed, alterable, “scenery.” We will build our own world, an improvement on the natural one we found ourselves in for so long. Separation from nature, Asimov implies, will keep humans safe—safe from the irregularities of the natural world, and the bombs of the human one, a concern he just barely hints at, but that was deeply felt at the time.

But Asimov knows too that humans cannot survive on technology alone. Eight years before astronauts’ Blue Marble image of Earth would reshape how humans thought about the planet, Asimov sees that humans need a healthy Earth, and he worries that an exploding human population (6.5 billion, he accurately extrapolated) will wear down our resources, creating massive inequality.

Although technology will still keep up with population through 2014, it will be only through a supreme effort and with but partial success. Not all the world’s population will enjoy the gadgety world of the future to the full. A larger portion than today will be deprived and although they may be better off, materially, than today, they will be further behind when compared with the advanced portions of the world. They will have moved backward, relatively.

This troubled him, but the real problems lay yet further in the future, as “unchecked” population growth pushed urban sprawl to every corner of the planet, creating a “World-Manhattan” by 2450. But, he exclaimed, “society will collapse long before that!” Humans would have to stop reproducing so quickly to avert this catastrophe, he believed, and he predicted that by 2014 we would have decided that lowering the birth rate was a policy priority.

Asimov rightly saw the central role of the planet’s environmental health to a society: No matter how technologically developed humanity becomes, there is no escaping our fundamental reliance on Earth (at least not until we seriously leave Earth, that is). But in 1964 the environmental specters that haunt us today—climate change and impending mass extinctions—were only just beginning to gain notice. Asimov could not have imagined the particulars of this special blend of planetary destruction we are now brewing—and he was overly optimistic about our propensity to take action to protect an imperiled planet.

Read the entire article here.

Image: Driverless cars as imaged in 1957. Courtesy of America’s Independent Electric Light and Power Companies/Paleofuture.

 

 

 

Hari Seldon, Meet Neuroeconomics

Fans of Isaac Asimov’s groundbreaking Foundation novels will know Hari Seldon as the founder of “psychohistory”. Entirely fictional, psychohistory is a statistical science that makes possible predictions of future behavior of large groups of people, and is based on a mathematical analysis of history and sociology.

Now, 11,000 years or so back into our present reality comes the burgeoning field of “neuroeconomics”. As Slate reports, Seldon’s “psychohistory” may not be as far-fetched or as far away as we think.

[div class=attrib]From Slate:[end-div]

Neuroscience—the science of how the brain, that physical organ inside one’s head, really works—is beginning to change the way we think about how people make decisions. These findings will inevitably change the way we think about how economies function. In short, we are at the dawn of “neuroeconomics.”

Efforts to link neuroscience and economics have occurred mostly in just the last few years, and the growth of neuroeconomics is still in its early stages. But its nascence follows a pattern: Revolutions in science tend to come from completely unexpected places. A field of science can turn barren if no fundamentally new approaches to research are on the horizon. Scholars can become so trapped in their methods—in the language and assumptions of the accepted approach to their discipline—that their research becomes repetitive or trivial.

Then something exciting comes along from someone who was never involved with these methods—some new idea that attracts young scholars and a few iconoclastic old scholars, who are willing to learn a different science and its research methods. At some moment in this process, a scientific revolution is born.

The neuroeconomic revolution has passed some key milestones quite recently, notably the publication last year of neuroscientist Paul Glimcher’s book Foundations of Neuroeconomic Analysis—a pointed variation on the title of Paul Samuelson’s 1947 classic work, Foundations of Economic Analysis, which helped to launch an earlier revolution in economic theory.

Much of modern economic and financial theory is based on the assumption that people are rational, and thus that they systematically maximize their own happiness, or as economists call it, their “utility.” When Samuelson took on the subject in his 1947 book, he did not look into the brain, but relied instead on “revealed preference.” People’s objectives are revealed only by observing their economic activities. Under Samuelson’s guidance, generations of economists have based their research not on any physical structure underlying thought and behavior, but on the assumption of rationality.

While Glimcher and his colleagues have uncovered tantalizing evidence, they have yet to find most of the fundamental brain structures. Maybe that is because such structures simply do not exist, and the whole utility-maximization theory is wrong, or at least in need of fundamental revision. If so, that finding alone would shake economics to its foundations.

Another direction that excites neuroscientists is how the brain deals with ambiguous situations, when probabilities are not known or other highly relevant information is not available. It has already been discovered that the brain regions used to deal with problems when probabilities are clear are different from those used when probabilities are unknown. This research might help us to understand how people handle uncertainty and risk in, say, financial markets at a time of crisis.

[div class=attrib]Read the entire article here.[end-div]

[div class=attrib]Image: Hari Seldon, Foundation by Isaac Asimov.[end-div]