Tag Archives: repression

tD

North Korea + Oil = Saudi Arabia

Most of us in the West — myself included — take our rights and freedoms very much for granted. This is a mistake. We should celebrate every day. And here’s a stark reminder from the Middle East. The latest collection of royal decrees from the rulers of Saudi Arabia now declare that atheists are terrorists.

At some point in our future I still have to believe that the majority of humanity will come to realize that morality, compassion, altruism, kindness are basic human traits — they come to be despite religion, not because of it. At that point, perhaps, more nations will remove the shackles of religious dogma that constrain their citizens and join in the celebration of truly secular and global human rights: freedom of expression, freedom of assembly, freedom to think, freedom to dance, freedom to drive, freedom to joke, freedom to be spiritual but not religious. And, of course those who desire to still believe in whatever they wish, should be free to do so.

From the Independent:

Saudi Arabia has introduced a series of new laws which define atheists as terrorists, according to a report from Human Rights Watch.

In a string of royal decrees and an overarching new piece of legislation to deal with terrorism generally, the Saudi King Abdullah has clamped down on all forms of political dissent and protests that could “harm public order”.

The new laws have largely been brought in to combat the growing number of Saudis travelling to take part in the civil war in Syria, who have previously returned with newfound training and ideas about overthrowing the monarchy.

To that end, King Abdullah issued Royal Decree 44, which criminalises “participating in hostilities outside the kingdom” with prison sentences of between three and 20 years, Human Rights Watch said.

Yet last month further regulations were issued by the Saudi interior ministry, identifying a broad list of groups which the government considers to be terrorist organisations – including the Muslim Brotherhood.

Article one of the new provisions defines terrorism as “calling for atheist thought in any form, or calling into question the fundamentals of the Islamic religion on which this country is based”.

Read the entire article here.

Art

Ai Weiwei – China’s Warhol

Artist Ai Weiwei has suffered at the hands of the Chinese authorities much more so than Andy Warhol’s brushes with surveillance from the FBI. Yet the two are remarkably similar: brash and polarizing views, distinctive art and creative processes, masterful self-promotion, savvy media manipulation and global ubiquity. This is all the more astounding given Ai Weiwei’s arrest, detentions and prohibition on travel outside of Beijing. He’s even made it to the Venice Biennale this year — only his art of course.

From the= Guardian:

To some, he is verging on a saint and martyr, singlehandedly standing against the forces of Chinese political repression. For others he is a canny manipulator, utterly in control of his reputation and place in the art world and market. For others still, he is all these things: an artist who outdoes even Andy Warhol in his ubiquity, his nimbleness at self-promotion and his use of every medium at his disposal to promulgate his work and his activism.

Whatever your views on the Chinese artist Ai Weiwei, one thing is clear: he is everywhere, from the Hampstead theatre in London, where Howard Brenton’s play about the 81 days Ai spent in detention in 2011 is underway, to the web, where his the video for his heavy metal song Dumbass is circulating, to the Venice Biennale, where not one but three of his large-scale works are on display – perhaps the most exposure for any single artist at the international festival.

One of the works, Bang, a forest of hundreds of tangled wooden stools, is the most prominent piece in the German national pavilion. Then, in the Zuecca Project Space on the island of Giudecca, is his installation Straight: 150 tons of crushed rebar from schools flattened in the Sichuan earthquake of 2008, recovered by the artist and his team, who bought the crumpled steel rods as scrap before painstakingly straightening them and piling them up in a wave-like sculptural arrangement.

By far the most revealing about Ai’s own experience, though, is the third piece, SACRED. Situated in the church of Sant’Antonin, it consists of six large iron boxes, into which visitors can peek to see sculptures recreating scenes from the artist’s detention. Here is a miniature Ai being interrogated; here a miniature Ai showers or sits on the lavatory while two uniformed guards stand over him. Other scenes show him sleeping and eating – always in the same tiny space, always under double guard. (The music video refers to some of these scenes with a lightly satirical tone that is absent from the sculpture.)

According to Greg Hilty of London’s Lisson Gallery, under whose auspices SACRED is being shown, and who saw Ai in China a week ago, the work is a form of “therapy or exorcism – it was something he had to get out. It is an experience that we might see as newsworthy, but for him, he was the one in it.”

Read the entire article here.

Image: Waking nightmare … Ai Weiwei’s Entropy (Sleep), from SACRED (2013). Courtesy of David Levene / Guardian.