Tag Archives: fashion

When 8 Equals 16

commercial-standard-cs215-58

I’m sure that most, if not all, mathematicians would tell you that their calling is at the heart of our understanding of the universe. Mathematics describes our world precisely and logically. But, mix it with the world of women’s fashion and this rigorous discipline becomes rather squishy, and far from absolute. A case in point: a women’s size 16 today is equivalent to a women’s size 8 from 1958.

This makes me wonder what the fundamental measurements and equations describing our universe would look like if controlled by advertisers and marketers. Though, Einstein’s work on Special and General Relativity may seem to fit the fashion industry quite well: one of the central tenets of relativity holds that measurements of various quantities (read: dress size) are relative to the velocities (market size) of observers (retailers). In particular, space (dress size) contracts and time (waist size) dilates.

From the Washington Post:

Here are some numbers that illustrate the insanity of women’s clothing sizes: A size 8 dress today is nearly the equivalent of a size 16 dress in 1958. And a size 8 dress of 1958 doesn’t even have a modern-day equivalent — the waist and bust measurements of a Mad Men-era 8 come in smaller than today’s size 00.

These measurements come from official sizing standards once maintained by the National Bureau of Standards (now the National Institute of Standards and Technology) and taken over in recent years by the American Society of Testing and Materials. Data visualizer Max Galka recently unearthed them for a blog post on America’s obesity epidemic.

Centers for Disease Control and Prevention data show that the average American woman today weighs about as much as the average 1960s man. And while the weight story is pretty straightforward — Americans got heavier — the story behind the dress sizes is a little more complicated, as any woman who’s ever shopped for clothes could probably tell you.

As Julia Felsenthal detailed over at Slate, today’s women’s clothing sizes have their roots in a depression-era government project to define the “Average American Woman” by sending a pair of statisticians to survey and measure nearly 15,000 women. They “hoped to determine whether any proportional relationships existed among measurements that could be broadly applied to create a simple, standardized system of sizing,” Felsenthal writes.

Sadly, they failed. Not surprisingly, women’s bodies defied standardization. The project did yield one lasting contribution to women’s clothing: The statisticians were the first to propose the notion of arbitrary numerical sizes that weren’t based on any specific measurement — similar to shoe sizes.

The government didn’t return to the project until the late 1950s, when the National Bureau of Standards published “Body Measurements for the Sizing of Women’s Patterns and Apparel” in 1958. The standard was based on the 15,000 women interviewed previously, with the addition of a group of women who had been in the Army during World War II. The document’s purpose? “To provide the consumer with a means of identifying her body type and size from the wide range of body types covered, and enable her to be fitted properly by the same size regardless of price, type of apparel, or manufacturer of the garment.”

Read the entire article here.

Image: Diagram from “Body Measurements for the Sizing of Women’s Patterns and Apparel”, 1958. Courtesy of National Bureau of Standards /  National Institute of Standards and Technology (NIST).

The Missing Sock Law

Google-search-socks

If you share a household with children, or adults who continually misplace things, you’ll be intimately familiar with the Missing Sock Law (MSL). No matter how hard you try to keep clothing, and people, organized, and no matter how diligent you are during the laundry process, you will always lose socks. After your weekly laundry you will always end up with an odd number of socks, they will always be mismatched and you will never find the missing ones again. This is the MSL, and science has yet to come up with a solution.

However, an increasing number of enterprising youngsters, non-OCD parents, and even some teens, are adopting a solution that’s been staring them in the face since socks were invented.  Apparently, it is now a monumentally cool fashion statement (at the time writing) to wear mismatched socks — there are strict rules of course, and parents, this is certainly not for you.

From WSJ:

Susana Yourcheck keeps a basket of mismatched socks in her laundry room, hoping that the missing match will eventually reappear. The pile is getting smaller these days, but not because the solitary socks are magically being reunited with their mates.

The credit for the smaller stash goes to her two teenage daughters, who no longer fuss to find socks that match. That’s because fashionable tweens and teens favor a jamboree of solids, colors and patterns on their feet.

“All my friends do it. Everyone in school wears them this way,” says 15-year-old Amelia Yourcheck.

For laundry-folding parents, the best match is sometimes a mismatch.

Generations of adults have cringed at their children’s fashion choices, suffering through bell bottoms, crop tops, piercings and tattoos. Socks have gone through various iterations of coolness: knee-high, no-see, wild patterns, socks worn with sandals, and no socks at all.

But the current trend has advantages for parents like Ms. Yourcheck. She has long been flummoxed by the mystery of socks that “disappear to the land of nowhere.”

“I’m not going to lie—[the mismatched look] bothers me. But I’m also kind of happy because at least we get some use out of them,” says Ms. Yourcheck, who is 40 years old and lives in Holly Springs, N.C.

“It definitely makes laundry way easier because they just go in a pile and you don’t have to throw the odd ones away,” agrees Washington, D.C., resident Jennifer Swanson Prince, whose 15-year-old daughter, Eleni, rocks the unmatched look. “And if we are lucky, the pile will go in a drawer.”

Some parents say they first noticed the trend a few years ago. Some saw girls whip off their shoes at a bat mitzvah celebration and go through a basket of mismatched socks that were supplied by the hosts for more comfortable dancing.

 For some teenage fashionistas, however, the style dictates that certain rules be followed. Among the most important: The socks must always be more or less the same length—no mixing a knee high with a short one. And while patterns can be combined, clashing seasons—as with snowflakes and flowers—are frowned upon.

The trend is so popular that retailers sell socks that go together, but don’t really go together.

“Matching is mundane, but mixing patterns and colors is monumentally cool,” states the website of LittleMissMatched, which has stores in New York, Florida and California. The company sells socks in sets of three that often sport the same pattern—stars, animal prints, argyles, but in different colors.

Read the entire article here.

Image courtesy of Google Search.

Clothing Design by National Sub-Committee

North-Korean-Military

It’s probably safe to assume that clothing designed by committee will be more utilitarian and drab than that from the colored pencils of say Yves Saint Laurent, Tom Ford, Giorgio Armani or Coco Chanel.

So, imagine what clothing would look like if it was designed by the Apparel Research Center, a sub-subcommittee of the Clothing Industry Department, itself a sub-committee of the National Industry Committee. Yes, welcome to the strange, centrally planned and tightly controlled world of our favorite rogue nation, North Korea. Imagine no more as Paul French takes us on a journey through daily life in North Korea, excerpted from his new book North Korea: State of Paranoia by Paul French. It makes for sobering reading.

From the Guardian:

6am The day starts early in Pyongyang, the city described by the North Korean government as the “capital of revolution”. Breakfast is usually corn or maize porridge, possibly a boiled egg and sour yoghurt, with perhaps powdered milk for children.

Then it is time to get ready for work. North Korea has a large working population: approximately 59% of the total in 2010. A growing number of women work in white-collar office jobs; they make up around 90% of workers in light industry and 80% of the rural workforce. Many women are now the major wage-earner in the family – though still housewife, mother and cook as well as a worker, or perhaps a soldier.

Makeup is increasingly common in Pyongyang, though it is rarely worn until after college graduation. Chinese-made skin lotions, foundation, eyeliner and lipstick are available and permissible in the office. Many women suffer from blotchy skin caused by the deteriorating national diet, so are wearing more makeup. Long hair is common, but untied hair is frowned upon.

Men’s hairstyles could not be described as radical. In the 1980s, when Kim Jong-il first came to public prominence, his trademark crewcut, known as a “speed battle cut”, became popular, while the more bouffant style favoured by Kim Il-sung, and then Kim Jong-il, in their later years, is also popular. Kim Jong-un’s trademark short-back-and-sides does not appear to have inspired much imitation so far. Hairdressers and barbers are run by the local Convenience Services Management Committee; at many, customers can wash their hair themselves.

Fashion is not really an applicable term in North Korea, as the Apparel Research Centre under the Clothing Industry Department of the National Light Industry Committee designs most clothing. However, things have loosened up somewhat, with bright colours now permitted as being in accordance with a “socialist lifestyle”. Pyongyang offers some access to foreign styles. A Japanese watch denotes someone in an influential position; a foreign luxury watch indicates a very senior position. The increasing appearance of Adidas, Disney and other brands (usually fake) indicates that access to goods smuggled from China is growing. Jeans have at times been fashionable, though risky – occasionally they have been banned as “decadent”, along with long hair on men, which can lead to arrest and a forced haircut.

One daily ritual of all North Koreans is making sure they have their Kim Il-sung badge attached to their lapel. The badges have been in circulation since the late 1960s, when the Mansudae Art Studio started producing them for party cadres. Desirable ones can change hands on the black market for several hundred NKW. In a city where people rarely carry cash, jewellery or credit cards, Kim badges are one of the most prized targets of Pyongyang’s pickpockets.

Most streets are boulevards of utilitarian high-rise blocks. Those who live on higher floors may have to set out for work or school a little earlier than those lower down. Due to chronic power cuts, many elevators work only intermittently, if at all. Many buildings are between 20 and 40 storeys tall – there are stories of old people who have never been able to leave. Even in the better blocks elevators can be sporadic and so people just don’t take the chance. Families make great efforts to relocate older relatives on lower floors, but this is difficult and a bribe is sometimes required. With food shortages now constant, many older people share their meagre rations with their grandchildren, weakening themselves further and making the prospect of climbing stairs even more daunting.

Some people do drive to work, but congestion is not a major problem. Despite the relative lack of cars, police enforce traffic regulations strictly and issue tickets. Fines can be equivalent to two weeks’ salary. Most cars belong to state organisations, but are often used as if they were privately owned. All vehicles entering Pyongyang must be clean; owners of dirty cars may be fined. Those travelling out of Pyongyang require a travel certificate. There are few driving regulations; however, on hills ascending vehicles have the right of way, and trucks cannot pass passenger cars under any circumstances. Drunk-driving is punished with hard labour. Smoking while driving is banned on the grounds that a smoking driver cannot smell a problem with the car.

Those who have a bicycle usually own a Sea Gull, unless they are privileged and own an imported second-hand Japanese bicycle. But even a Sea Gull costs several months’ wages and requires saving.

7.30am For many North Koreans the day starts with a 30-minute reading session and exercises before work begins. The reading includes receiving instructions and studying the daily editorial in the party papers. This is followed by directives on daily tasks and official announcements.

For children, the school day starts with exercises to a medley of populist songs before a session of marching on the spot and saluting the image of the leader. The curriculum is based Kim Il-sung’s 1977 Thesis on Socialist Education, emphasising the political role of education in developing revolutionary spirit. All children study Kim Il-sung’s life closely. Learning to read means learning to read about Kim Il-sung; music class involves singing patriotic songs. Rote learning and memorising political tracts is integral and can bring good marks, which help in getting into university – although social rank is a more reliable determinant of college admission. After graduation, the state decides where graduates will work.

8am Work begins. Pyongyang is the centre of the country’s white-collar workforce, though a Pyongyang office would appear remarkably sparse to most outsiders. Banks, industrial enterprises and businesses operate almost wholly without computers, photocopiers and modern office technology. Payrolls and accounting are done by hand.

12pm Factories, offices and workplaces break for lunch for an hour. Many workers bring a packed lunch, or, if they live close by, go home to eat. Larger workplaces have a canteen serving cheap lunches, such as corn soup, corn cake and porridge. The policy of eating in work canteens, combined with the lack of food shops and restaurants, means that Pyongyang remains strangely empty during the working day with no busy lunchtime period, as seen in other cities around the world.

Shopping is an as-and-when activity. If a shop has stock, then returning later is not an option as it will be sold out. According to defectors, North Koreans want “five chests and seven appliances”. The chests are a quilt chest, wardrobe, bookshelf, cupboard and shoe closet, while the appliances comprise a TV, refrigerator, washing machine, electric fan, sewing machine, tape recorder and camera. Most ordinary people only have a couple of appliances, usually a television and a sewing machine.

Food shopping is equally problematic. Staples such as soy sauce, soybean paste, salt and oil, as well as toothpaste, soap, underwear and shoes, sell out fast. The range of food items available is highly restricted. White cabbage, cucumber and tomato are the most common; meat is rare, and eggs increasingly so. Fruit is largely confined to apples and pears. The main staple of the North Korean diet is rice, though bread is sometimes available, accompanied by a form of butter that is often rancid. Corn, maize and mushrooms also appear sometimes.

Read the entire excerpt here.

Image: Soldiers from the Korean People’s Army look south while on duty in the Joint Security Area, 2008. Courtesy of U.S. government.

 

Zentai Coming to a City Near You

google-search-zentai

The latest Japanese export may not become as ubiquitous as Pokemon or the Toyota Camry. However, aficionados of Zentai seem to be increasing in numbers, and outside of the typical esoteric haunts such as clubs or during Halloween parties. Though, it may be a while before Zentai outfits appear around the office.

From the Washington Post:

They meet on clandestine Internet forums. Or in clubs. Or sometimes at barbecue parties, where as many as 10 adherents gather every month to eat meat and frolic in an outfit that falls somewhere between a Power Ranger’s tunic and Spider-Man’s digs.

They meet on clandestine Internet forums. Or in clubs. Or sometimes at barbecue parties, where as many as 10 adherents gather every month to eat meat and frolic in an outfit that falls somewhere between a Power Ranger’s tunic and Spider-Man’s digs.

It’s called “zentai.” And in Japan, it can mean a lot of things. To 20-year-old Hokkyoku Nigo, it means liberation from the judgment and opinions of others. To a 22-year-old named Hanaka, it represents her lifelong fascination with superheroes. To a 36-year-old teacher named Nezumiko, it elicits something sexual. “I like to touch and stroke others and to be touched and stroked like this,” she told the AFP’s Harumi Ozawa.

But to most outsiders, zentai means exactly what it looks like: spandex body suits.

Where did this phenomenon come from and what does it mean? In a culture of unique displays — from men turning trucks into glowing light shows to women wearing Victoria-era clothing — zentai appears to be yet another oddity in a country well accustomed to them.

The trend can take on elements of prurience, however, and groups with names such as “zentai addict” and “zentai fetish” teem on Facebook. There are zentai ninjas. There are zentai Pokemon. There are zentai British flags and zentai American flags.

An organization called the Zentai Project, based in England, explains it as “a tight, colorful suit that transforms a normal person into amusement for all who see them. … The locals don’t know what to make of us, but the tourists love us and we get onto lots of tourist snaps — sometimes we can hardly walk 3 steps down the street before being stopped to pose for another picture.”

Though the trend is now apparently global, it was once just a group of Japanese climbing into skintight latex for unknown reasons.

“With my face covered, I cannot eat or drink like other customers,” Hokkyoku Nigo says in the AFP story. “I have led my life always worrying about what other people think of me. They say I look cute, gentle, childish or naive. I have always felt suffocated by that. But wearing this, I am just a person in a full body suit.”

Ikuo Daibo, a professor at Tokyo Mirai University, says wearing full body suits may reflect a sense of societal abandonment. People are acting out to define their individuality.

“In Japan,” he said, ”many people feel lost; they feel unable to find their role in society. They have too many role models and cannot choose which one to follow.”

Read the entire article here.

Image courtesy of Google Search.

Peak Beard

google-search-beards

Followers of all things hirsute, particularly male facial hair have recently declared “peak beard”. The declaration means that it’s no longer cool to be bearded (if you’re a man, anyway), since being bearded no longer represents a small, and hence very hip, minority. Does this mean our friends over a Duck Dynasty will have to don a clean-shaven look to maintain their ratings? Time will tell.

From the Guardian:

Hirsute men have been warned their attractiveness to potential partners may fade as facial hair becomes more prevalent, in a scenario researchers have called “peak beard”.

Research conducted by the University of NSW finds that, when people are confronted by a succession of bearded men, clean-shaven men become more attractive to them.

This process also works in reverse, with men with heavy stubble and full, Ned Kelly-style beards judged more attractive when present in a sea of hairless visages.

Researchers picked 1,453 bisexual or heterosexual women and 213 heterosexual men to take part in the study.

Participants were shown 36 images of men’s faces, with the first 24 pictures used to condition the subjects by showing them exclusively bearded or non-bearded men, or a mixture of the two.

The final 12 images then showed clean shaven or bearded men, with the participants ranking their attractiveness on a scale of minus four to four.

Researchers found the ranking of these men strongly depended upon the exposure of participants to bearded men prior to this. The more beards they’d already seen, the less attractive subsequent beards were, and vice versa with clean-shaven men.

This phenomenon is called “negative frequency-dependent sexual selection” and is present in several animal species, according to the UNSW team.

Researcher Robert Brooks told Guardian Australia the aim of the work was to look at the dynamics that drove the fashion of beards.

“There is a lot of faddishness with beards, they are on the way back and it’s interesting to look at that interaction with culture,” he said.

“It appears that beards gain an advantage when rare, but when they are in fashion and common, they are declared trendy and that attractiveness is over.”

Brooks conceded it was hard to tell how the experiment related to the real world, but said the fashion for beards might be reaching its zenith.

“The bigger the trend gets, the weaker the preference for beards and the tide will go out again,” he said. “We may well be at peak beard. Obviously, you will see more beards in Surry Hills than in Bondi, but I think we are near saturation point. This thing can’t get much bigger.

“These trends usually move in 30-year cycles from when they are first noticed but, with the internet, things are moving a lot faster.”

The researchers are now working on a larger, follow-up study that will look at the link between facial hair and masculinity.

“We still don’t really know the primary function of the beard,” Brooks said. “Some women are attracted to it, some are repelled. It is clear it is a sign of manliness, it makes men look older and also more aggressive. How much women like that depends, in a way, on how overtly masculine they like their men.

Read the entire article hair (pun intended).

Image: Men with beards. Courtesy of Google Search.

Fast Fashion and Smartphones

google-search-teen-fashion

Teen retail isn’t what it used to be. Once dominated by the likes of Aeropostale, Abercrombie and Fitch, and American Eagle, the sector is in a downward spiral. Many retail analysts place the blame on the internet. While discretionary income is down and unemployment is up among teens, there are two other key factors driving the change: first, smartphones loaded with apps seem to be more important to a teen’s self identity than an emblazoned tee-shirt; second, fast-fashion houses, such as H&M, can churn out fresh designs at a fraction thanks to fully integrated, on-demand supply chains. Perhaps, the silver lining in all of this, if you could call it such, is that malls may soon become the hang-out for old-timers.

From the NYT:

Luring young shoppers into traditional teenage clothing stores has become a tough sell.

When 19-year-old Tsarina Merrin thinks of a typical shopper at some of the national chains, she doesn’t think of herself, her friends or even contemporaries.

“When I think of who is shopping at Abercrombie,” she said, “I think it’s more of people’s parents shopping for them.”

Sales are down across the shelves of many traditional teenage apparel retailers, and some analysts and others suggest that it’s not just a tired fashion sense causing the slump. The competition for teenage dollars, at a time of high unemployment within that age group, spans from more stores to shop in to more tempting technology.

And sometimes phones loaded with apps or a game box trump the latest in jeans.

Mainstays in the industry like Abercrombie & Fitch, American Eagle Outfitters and Aéropostale, which dominated teenage closets for years, have been among those hit hard.

The grim reports of the last holiday season have already proved punishing for senior executives at the helm of a few retailers. In a move that caught many analysts by surprise, the chief executive of American Eagle, Robert L. Hanson, announced he was leaving the company last week. And on Tuesday, Abercrombie announced they were making several changes to the company’s board and leadership, including separating the role of chief executive and chairman.

Aside from those shake-ups, analysts are saying they do not expect much improvement in this retail sector any time soon.

According to a survey of analysts conducted by Thomson Reuters, sales at teenage apparel retailers open for more than a year, like Wet Seal, Zumiez, Abercrombie and American Eagle, are expected to be 6.4 percent lower in the fourth quarter over the previous period. That is worse than any other retail category.

“It’s enough to make you think the teen is going to be walking around naked,” said John D. Morris, an analyst at BMO Capital Markets. “What happened to them?”

Paul Lejuez, an analyst at Wells Fargo, said he and his team put out a note in May on the health of the teenage sector and department stores called “Watch Out for the Kid With the Cough.” (Aéropostale was the coughing teenager.) Nonetheless, he said, “We ended up being surprised just how bad things got so quickly. There’s really no sign of life anywhere among the traditional players.”

Causes are ticked off easily. Mentioned often is the high teenage unemployment rate, reaching 20.2 percent among 16- to 19-year-olds, far above the national rate of 6.7 percent.

Cheap fashion has also driven a more competitive market. So-called fast-fashion companies, like Forever 21 and H&M, which sell trendy clothes at low prices, have muscled into the space, while some department stores and discount retailers like T. J. Maxx now cater to teenagers, as well.

“You can buy a plaid shirt at Abercrombie that’s like $70,” said Daniela Donayre, 17, standing in a Topshop in Manhattan. “Or I can go to Forever 21 and buy the same shirt for $20.”

Online shopping, which has been roiling the industry for years, may play an especially pronounced role in the teenage sector, analysts say. A study of a group of teenagers released in the fall by Piper Jaffray found that more than three-fourths of young men and women said they shopped online.

Not only did teenagers grow up on the Internet, but it has shaped and accelerated fashion cycles. Things take off quickly and fade even faster, watched by teenagers who are especially sensitive to the slightest shift in the winds of a trend.

Matthew McClintock, an analyst at Barclays, pointed to Justin Bieber as an example.

“Today, if you saw that Justin Bieber got arrested drag-racing,” Mr. McClintock said, “and you saw in the picture that he had on a cool red shirt, then you can go online and find that cool red shirt and have it delivered to you in two days from some boutique in Los Angeles.

“Ten years ago, teens were dependent on going to Abercrombie & Fitch and buying from the select items that Mike Jeffries, the C.E.O., thought would be popular nine months ago.”

Read the entire story here.

Image courtesy of Google Search.

Teasie Weasie, Vidal and Bob

A new BBC documentary chronicles the influence of flamboyant sixties hairstylist Raymond Bessone, better known as Raymond “Teasie Weasie”. He was the first stylist to appear on television, and is credited with inventing the modern bouffant and innovating with hair color. He also trained Vidal Sassoon, who later created the bob.

From the Guardian:

From the beehive to the afro and the footballer’s perm, a new BBC documentary celebrates the nation’s love of a flamboyant hairstyle – the bigger the better.

Possibly the most famous haircut of the 1960s, the asymmetric bob created by Vidal Sassoon in 1963 liberated a generation of women from the need for a weekly appointment and a session under the hood-dryer. With these sharp, swinging styles, the blowdry was born. This cut is by Roger Thompson, a stylist at Sassoon’s salon.

See more images hair[sic] or check out a preview of the documentary here.

Image: Cover of the 1976 paperback book “Raymond – The outrageous autobiography of Teasie-Weasie”. Courtesy of Raymond Bessone/ Wyndham Publications / Wikipedia.

Image: Bob cut. Courtesy of Vic Singh/Rex.

UnGoogleable: The Height of Cool

So, it is no longer a surprise — our digital lives are tracked, correlated, stored and examined. The NSA (National Security Agency) does it to determine if you are an unsavory type; Google does it to serve you better information and ads; and, a whole host of other companies do it to sell you more things that you probably don’t need and for a price that you can’t afford. This of course raises deep and troubling questions about privacy. With this in mind, some are taking ownership of the issue and seeking to erase themselves from the vast digital Orwellian eye. However, to some being untraceable online is a fashion statement, rather than a victory for privacy.

From the Guardian:

“The chicest thing,” said fashion designer Phoebe Philo recently, “is when you don’t exist on Google. God, I would love to be that person!”

Philo, creative director of Céline, is not that person. As the London Evening Standard put it: “Unfortunately for the famously publicity-shy London designer – Paris born, Harrow-on-the-Hill raised – who has reinvented the way modern women dress, privacy may well continue to be a luxury.” Nobody who is oxymoronically described as “famously publicity-shy” will ever be unGoogleable. And if you’re not unGoogleable then, if Philo is right, you can never be truly chic, even if you were born in Paris. And if you’re not truly chic, then you might as well die – at least if you’re in fashion.

If she truly wanted to disappear herself from Google, Philo could start by changing her superb name to something less diverting. Prize-winning novelist AM Homes is an outlier in this respect. Google “am homes” and you’re in a world of blah US real estate rather than cutting-edge literature. But then Homes has thought a lot about privacy, having written a play about the most famously private person in recent history, JD Salinger, and had him threaten to sue her as a result.

And Homes isn’t the only one to make herself difficult to detect online. UnGoogleable bands are 10 a penny. The New York-based band !!! (known verbally as “chick chick chick” or “bang bang bang” – apparently “Exclamation point, exclamation point, exclamation point” proved too verbose for their meagre fanbase) must drive their business manager nuts. As must the band Merchandise, whose name – one might think – is a nominalist satire of commodification by the music industry. Nice work, Brad, Con, John and Rick.

 

If Philo renamed herself online as Google Maps or @, she might make herself more chic.

Welcome to anonymity chic – the antidote to an online world of exhibitionism. But let’s not go crazy: anonymity may be chic, but it is no business model. For years XXX Porn Site, my confusingly named alt-folk combo, has remained undiscovered. There are several bands called Girls (at least one of them including, confusingly, dudes) and each one has worried – after a period of chic iconoclasm – that such a putatively cool name means no one can find them online.

But still, maybe we should all embrace anonymity, given this week’s revelations that technology giants cooperated in Prism, a top-secret system at the US National Security Agency that collects emails, documents, photos and other material for secret service agents to review. It has also been a week in which Lindsay Mills, girlfriend of NSA whistleblower Edward Snowden, has posted on her blog (entitled: “Adventures of a world-traveling, pole-dancing super hero” with many photos showing her performing with the Waikiki Acrobatic Troupe) her misery that her fugitive boyfriend has fled to Hong Kong. Only a cynic would suggest that this blog post might help the Waikiki Acrobating Troupe veteran’s career at this – serious face – difficult time. Better the dignity of silent anonymity than using the internet for that.

Furthermore, as social media diminishes us with not just information overload but the 24/7 servitude of liking, friending and status updating, this going under the radar reminds us that we might benefit from withdrawing the labour on which the founders of Facebook, Twitter and Instagram have built their billions. “Today our intense cultivation of a singular self is tied up in the drive to constantly produce and update,” argues Geert Lovink, research professor of interactive media at the Hogeschool van Amsterdam and author of Networks Without a Cause: A Critique of Social Media. “You have to tweet, be on Facebook, answer emails,” says Lovink. “So the time pressure on people to remain present and keep up their presence is a very heavy load that leads to what some call the psychopathology of online.”

Internet evangelists such as Clay Shirky and Charles Leadbeater hoped for something very different from this pathologised reality. In Shirky’s Here Comes Everybody and Leadbeater’s We-Think, both published in 2008, the nascent social media were to echo the anti-authoritarian, democratising tendencies of the 60s counterculture. Both men revelled in the fact that new web-based social tools helped single mothers looking online for social networks and pro-democracy campaigners in Belarus. Neither sufficiently realised that these tools could just as readily be co-opted by The Man. Or, if you prefer, Mark Zuckerberg.

Not that Zuckerberg is the devil in this story. Social media have changed the way we interact with other people in line with what the sociologist Zygmunt Bauman wrote in Liquid Love. For us “liquid moderns”, who have lost faith in the future, cannot commit to relationships and have few kinship ties, Zuckerberg created a new way of belonging, one in which we use our wits to create provisional bonds loose enough to stop suffocation, but tight enough to give a needed sense of security now that the traditional sources of solace (family, career, loving relationships) are less reliable than ever.

Read the entire article here.

Getting to the Bottom of It: Crimes of Fashion

Living in the West we are generally at liberty to wear what we wish, certainly in private, and usually in public — subject to public norms of course. That said, one can make a good case for punishing offenders of all genders who enact “crimes of fashion”.

From the Telegraph:

One of the lesser-known effects of the double-dip recession is that young men have been unable to afford belts. All over the Western world we have had to witness exposed bottoms, thanks to lack of funds to pop out and buy a belt or a pair of braces, although many people have tried to convince me that this is actually a conscious “fashion’” choice.

A town in Louisiana has fought back against this practice and is now imposing fines for those who choose to fly their trousers at half-mast.  What a shame this new law is, as these poor chaps are exactly that – poor.  They can’t afford a belt!  Fining them isn’t going to help their finances, is it?

These weird people who try to tell me boys actually choose to wear their trousers in this style have said that it harks back to the American prisons, when fashion accessories such as belts were whipped off the inmates in case they did anything foolish with them.  Like wearing a brown one with black shoes.

There is also a school of thought that showing the posterior was a sign to others that you were open to “advances”.  I cited this to a group of boys at a leading school recently and the look of horror that came over their faces was interesting to note.

It’s not just the chaps and belt-makers that are suffering from this recession. Women seem to be unable to afford tops that cover their bra straps. You only have to walk down any high street: you may as well be in a lingerie department.  Showing your underwear is clearly a sign that you are poor – in need of charity, sympathy and probably state-funded assistance.

To play devil’s advocate for one second, say these economic sufferers are actually making a conscious choice to show the rest of us their pants, then maybe Louisiana has the right idea. Fines are perhaps the best way to go. Here is a suggested menu of fines, which you’ll be pleased to know I have submitted to local councils the length and breadth of the nation.

For him

Trousers around bottom – £25 [$37.50]

Brown shoes with a suit – £35 [$52.50]

Tie length too short – £15 [$22.50]

Top button undone when wearing a tie – £20 [$30]

For her

Open toed shoes at formal evening events – £15 [$22.50]

Bra straps on show – £25 [$37.50]

Skirts that are shorter than the eyelashes – £20 [$30]

Too much cleavage as well as too much leg on display – £25 [$37.50]

Wearing heels that you haven’t learned to walk in yet – £12 [$18]

Read the entire article after the jump.

The Emperor Has Transparent Clothes

Hot from the TechnoSensual Exposition in Vienna, Austria, come clothes that can be made transparent or opaque, and clothes that can detect a wearer telling a lie. While the value of the former may seem dubious outside of the home, the latter invention should be a mandatory garment for all politicians and bankers. Or, for the less adventurous, millinery fashionistas, how about a hat that reacts to ambient radio waves?

All these innovations find their way from the realms of a Philip K. Dick science fiction novel, courtesy of the confluence of new technologies and innovative textile design.

[div class=attrib]From New Scientist:[end-div]

WHAT if the world could see your innermost emotions? For the wearer of the Bubelle dress created by Philips Design, it’s not simply a thought experiment.

Aptly nicknamed “the blushing dress”, the futuristic garment has an inner layer fitted with sensors that measure heart rate, respiration and galvanic skin response. The measurements are fed to 18 miniature projectors that shine corresponding colours, shapes, and intensities onto an outer layer of fabric – turning the dress into something like a giant, high-tech mood ring. As a natural blusher, I feel like I already know what it would be like to wear this dress – like going emotionally, instead of physically, naked.

The Bubelle dress is just one of the technologically enhanced items of clothing on show at the Technosensual exhibition in Vienna, Austria, which celebrates the overlapping worlds of technology, fashion and design.

Other garments are even more revealing. Holy Dress, created by Melissa Coleman and Leonie Smelt, is a wearable lie detector – that also metes out punishment. Using voice-stress analysis, the garment is designed to catch the wearer out in a lie, whereupon it twinkles conspicuously and gives her a small shock. Though the garment is beautiful, a slim white dress under a geometric structure of copper tubes, I’d rather try it on a politician than myself. “You can become a martyr for truth,” says Coleman. To make it, she hacked a 1990s lie detector and added a novelty shocking pen.

Laying the wearer bare in a less metaphorical way, a dress that alternates between opaque and transparent is also on show. Designed by the exhibition’s curator, Anouk Wipprecht with interactive design laboratory Studio Roosegaarde, Intimacy 2.0 was made using conductive liquid crystal foil. When a very low electrical current is applied to the foil, the liquid crystals stand to attention in parallel, making the material transparent. Wipprecht expects the next iteration could be available commercially. It’s time to take the dresses “out of the museum and get them on the streets”, she says.

[div class=attrib]Read the entire article following the jump.[end-div]

[div class=attrib]Image: Taiknam Hat, a hat sensitive to ambient radio waves. Courtesy of Ricardo O’Nascimento, Ebru Kurbak, Fabiana Shizue / New Scientist.[end-div]

Faux Fashion is More Than Skin-Deep

Some innovative research shows that we are generally more inclined to cheat others if we are clad in counterfeit designer clothing or carrying faux accessories.

[div class=attrib]From Scientific American:[end-div]

Let me tell you the story of my debut into the world of fashion. When Jennifer Wideman Green (a friend of mine from graduate school) ended up living in New York City, she met a number of people in the fashion industry. Through her I met Freeda Fawal-Farah, who worked for Harper’s Bazaar. A few months later Freeda invited me to give a talk at the magazine, and because it was such an atypical crowd for me, I agreed.

I found myself on a stage before an auditorium full of fashion mavens. Each woman was like an exhibit in a museum: her jewelry, her makeup, and, of course, her stunning shoes. I talked about how people make decisions, how we compare prices when we are trying to figure out how much something is worth, how we compare ourselves to others, and so on. They laughed when I hoped they would, asked thoughtful questions, and offered plenty of their own interesting ideas. When I finished the talk, Valerie Salembier, the publisher of Harper’s Bazaar, came onstage, hugged and thanked me—and gave me a stylish black Prada overnight bag.

I headed downtown to my next meeting. I had some time to kill, so I decided to take a walk. As I wandered, I couldn’t help thinking about my big black leather bag with its large Prada logo. I debated with myself: should I carry my new bag with the logo facing outward? That way, other people could see and admire it (or maybe just wonder how someone wearing jeans and red sneakers could possibly have procured it). Or should I carry it with the logo facing toward me, so that no one could recognize that it was a Prada? I decided on the latter and turned the bag around.

Even though I was pretty sure that with the logo hidden no one realized it was a Prada bag, and despite the fact that I don’t think of myself as someone who cares about fashion, something felt different to me. I was continuously aware of the brand on the bag. I was wearing Prada! And it made me feel different; I stood a little straighter and walked with a bit more swagger. I wondered what would happen if I wore Ferrari underwear. Would I feel more invigorated? More confident? More agile? Faster?

I continued walking and passed through Chinatown, which was bustling with activity. Not far away, I spotted an attractive young couple in their twenties taking in the scene. A Chinese man approached them. “Handbags, handbags!” he called, tilting his head to indicate the direction of his small shop. After a moment or two, the woman asked the Chinese man, “You have Prada?”

The vendor nodded. I watched as she conferred with her partner. He smiled at her, and they followed the man to his stand.

The Prada they were referring to, of course, was not actually Prada. Nor were the $5 “designer” sunglasses on display in his stand really Dolce&Gabbana. And the Armani perfumes displayed over by the street food stands? Fakes too.

From Ermine to Armani

Going back a way, ancient Roman law included a set of regulations called sumptuary laws, which filtered down through the centuries into the laws of nearly all European nations. Among other things, the laws dictated who could wear what, according to their station and class. For example, in Renaissance England, only the nobility could wear certain kinds of fur, fabrics, laces, decorative beading per square foot, and so on, while those in the gentry could wear decisively less appealing clothing. (The poorest were generally excluded from the law, as there was little point in regulating musty burlap, wool, and hair shirts.) People who “dressed above their station” were silently, but directly, lying to those around them. And those who broke the law were often hit with fines and other punishments.

What may seem to be an absurd degree of obsessive compulsion on the part of the upper crust was in reality an effort to ensure that people were what they signaled themselves to be; the system was designed to eliminate disorder and confusion. Although our current sartorial class system is not as rigid as it was in the past, the desire to signal success and individuality is as strong today as ever.

When thinking about my experience with the Prada bag, I wondered whether there were other psychological forces related to fakes that go beyond external signaling. There I was in Chinatown holding my real Prada bag, watching the woman emerge from the shop holding her fake one. Despite the fact that I had neither picked out nor paid for mine, it felt to me that there was a substantial difference between the way I related to my bag and the way she related to hers.

More generally, I started wondering about the relationship between what we wear and how we behave, and it made me think about a concept that social scientists call self-signaling. The basic idea behind self-signaling is that despite what we tend to think, we don’t have a very clear notion of who we are. We generally believe that we have a privileged view of our own preferences and character, but in reality we don’t know ourselves that well (and definitely not as well as we think we do). Instead, we observe ourselves in the same way we observe and judge the actions of other people— inferring who we are and what we like from our actions.

For example, imagine that you see a beggar on the street. Rather than ignoring him or giving him money, you decide to buy him a sandwich. The action in itself does not define who you are, your morality, or your character, but you interpret the deed as evidence of your compassionate and charitable character. Now, armed with this “new” information, you start believing more intensely in your own benevolence. That’s self-signaling at work.

The same principle could also apply to fashion accessories. Carrying a real Prada bag—even if no one else knows it is real—could make us think and act a little differently than if we were carrying a counterfeit one. Which brings us to the questions: Does wearing counterfeit products somehow make us feel less legitimate? Is it possible that accessorizing with fakes might affect us in unexpected and negative ways?

Calling All Chloés

I decided to call Freeda and tell her about my recent interest in high fashion. During our conversation, Freeda promised to convince a fashion designer to lend me some items to use in some experiments. A few weeks later, I received a package from the Chloé label containing twenty handbags and twenty pairs of sunglasses. The statement accompanying the package told me that the handbags were estimated to be worth around $40,000 and the sunglasses around $7,000. (The rumor about this shipment quickly traveled around Duke, and I became popular among the fashion-minded crowd.)

With those hot commodities in hand, Francesca Gino, Mike Norton (both professors at Harvard University), and I set about testing whether participants who wore fake products would feel and behave differently from those wearing authentic ones. If our participants felt that wearing fakes would broadcast (even to themselves) a less honorable self-image, we wondered whether they might start thinking of themselves as somewhat less honest. And with this tainted self-concept in mind, would they be more likely to continue down the road of dishonesty?

Using the lure of Chloé accessories, we enlisted many female MBA students for our experiment. We assigned each woman to one of three conditions: authentic, fake or no information. In the authentic condition, we told participants that they would be donning real Chloé designer sunglasses. In the fake condition, we told them that they would be wearing counterfeit sunglasses that looked identical to those made by Chloé (in actuality all the products we used were the real McCoy). Finally, in the no-information condition, we didn’t say anything about the authenticity of the sunglasses.

Once the women donned their sunglasses, we directed them to the hallway, where we asked them to look at different posters and out the windows so that they could later evaluate the quality and experience of looking through their sunglasses. Soon after, we called them into another room for another task.

In this task, the participants were given 20 sets of 12 numbers (3.42, 7.32 and so on), and they were asked to find in each set the two numbers that add up to 10. They had five minutes to solve as many as possible and were paid for each correct answer. We set up the test so that the women could cheat—report that they solved more sets than they did (after shredding their worksheet and all the evidence)—while allowing us to figure out who cheated and by how much (by rigging the shredders so that they only cut the sides of the paper).

Over the years we carried out many versions of this experiment, and we repeatedly find that a lot of people cheated by a few questions. This experiment was not different in this regard, but what was particularly interesting was the effect of wearing counterfeits. While “only” 30 percent of the participants in the authentic condition reported solving more matrices than they actually had, 74 percent of those in the fake condition reported solving more matrices than they actually had. These results gave rise to another interesting question. Did the presumed fakeness of the product make the women cheat more than they naturally would? Or did the genuine Chloé label make them behave more honestly than they would otherwise?

This is why we also had a no-information condition, in which we didn’t mention anything about whether the sunglasses were real or fake. In that condition 42 percent of the women cheated. That result was between the other two, but it was much closer to the authentic condition (in fact, the two conditions were not statistically different from each other). These results suggest that wearing a genuine product does not increase our honesty (or at least not by much). But once we knowingly put on a counterfeit product, moral constraints loosen to some degree, making it easier for us to take further steps down the path of dishonesty.

The moral of the story? If you, your friend, or someone you are dating wears counterfeit products, be careful! Another act of dishonesty may be closer than you expect.

Up to No Good

These results led us to another question: if wearing counterfeits changes the way we view our own behavior, does it also cause us to be more suspicious of others? To find out, we asked another group of participants to put on what we told them were either real or counterfeit Chloé sunglasses. This time, we asked them to fill out a rather long survey with their sunglasses on. In this survey, we included three sets of questions. The questions in set A asked participants to estimate the likelihood that people they know might engage in various ethically questionable behaviors such as standing in the express line with too many groceries. The questions in set B asked them to estimate the likelihood that when people say particular phrases, including “Sorry, I’m late. Traffic was terrible,” they are lying. Set C presented participants with two scenarios depicting someone who has the opportunity to behave dishonestly, and asked them to estimate the likelihood that the person in the scenario would take the opportunity to cheat.

What were the results? You guessed it. When reflecting on the behavior of people they know, participants in the counterfeit condition judged their acquaintances to be more likely to behave dishonestly than did participants in the authentic condition. They also interpreted the list of common excuses as more likely to be lies, and judged the actor in the two scenarios as being more likely to choose the shadier option. We concluded that counterfeit products not only tend to make us more dishonest; they also cause us to view others as less than honest as well.

[div class=attrib]Read the entire article after the jump.[end-div]

Honey? Does this Outfit Look Good?

Regardless of culture, every spouse (most often the male in this case) on the planet knows to tread very carefully when formulating the answer to that question. An answer that’s conclusively negative will consign the outfit to the disposable pile and earn a scowl; a response that’s only a little negative will get a scowl; a response that’s ebulliently positive will not be believed; one that slightly positive will not be believed and earn another scowl; and the ambivalent, non-committal answer gets an even bigger scowl. This oft repeated situation is very much a lose-lose event. That is, until now.

A new mobile app and website, called Go Try It On, aims to give crowdsourced, anonymous feedback in real-time to any of the outfit-challenged amongst us. Spouses can now relax – no more awkward conversations about clothing.

[div class=attrib]From the New York Times:[end-div]

There is a reason that women go shopping in groups — they like to ask their stylish friend, mother or the store’s dressing room attendant whether something looks good.

Go Try It On, a start-up that runs a Web site and mobile app for getting real-time feedback on outfits, believes that with computers and cellphones, fashion consultations should be possible even when people aren’t together.

“It’s crowdsourcing an opinion on an outfit and getting a quick, unbiased second opinion,” said Marissa Evans, Go Try It On’s founder and chief executive.

On Friday, Go Try It On will announce that it has raised $3 million from investors including SPA Investments and Index Ventures. It is also introducing a way to make money, by allowing brands to critique users’ outfits and suggest products, beginning with Gap and Sephora.

Users upload a photo or use a Webcam to show an outfit and solicit advice from other users. The service, which is one of several trying to make online shopping more social, started last year, and so far 250,000 people have downloaded the app and commented on outfits 10 million times. Most of the users are young women, and 30 percent live abroad.

[div class=attrib]More from theSource here.[end-div]