Each year the American Library Association publishes a list of attempts by groups and individuals to have books banned from classrooms, libraries and other public places in the United States. The list includes classics such as Ulysses, 1984, Beloved, Gone With the Wind, and The Lord of the Rings. So, if you’re at a loss this summer for a good book in which to get lost, pick one (or three) from the list below and mark one up for the freedom of ideas.
[div class=attrib]From American Library Association:[end-div]
The titles below represent banned or challenged books on that list ( see the entire list here). For more information on why these books were challenged, visit challenged classics and the Banned Books Week Web site
1. The Great Gatsby, by F. Scott Fitzgerald
2. The Catcher in the Rye, by J.D. Salinger
3. The Grapes of Wrath, by John Steinbeck
4. To Kill a Mockingbird, by Harper Lee
5. The Color Purple, by Alice Walker
6. Ulysses, by James Joyce
7. Beloved, by Toni Morrison
8. The Lord of the Flies, by William Golding
9. 1984, by George Orwell
11. Lolita, by Vladmir Nabokov
12. Of Mice and Men, by John Steinbeck
15. Catch-22, by Joseph Heller
16. Brave New World, by Aldous Huxley
17. Animal Farm, by George Orwell
18. The Sun Also Rises, by Ernest Hemingway
19. As I Lay Dying, by William Faulkner
20. A Farewell to Arms, by Ernest Hemingway
23. Their Eyes Were Watching God, by Zora Neale Hurston
24. Invisible Man, by Ralph Ellison
25. Song of Solomon, by Toni Morrison
26. Gone with the Wind, by Margaret Mitchell
27. Native Son, by Richard Wright
28. One Flew Over the Cuckoo’s Nest, by Ken Kesey
29. Slaughterhouse-Five, by Kurt Vonnegut
30. For Whom the Bell Tolls, by Ernest Hemingway
33. The Call of the Wild, by Jack London
36. Go Tell it on the Mountain, by James Baldwin
38. All the King’s Men, by Robert Penn Warren
40. The Lord of the Rings, by J.R.R. Tolkien
45. The Jungle, by Upton Sinclair
48. Lady Chatterley’s Lover, by D.H. Lawrence
49. A Clockwork Orange, by Anthony Burgess
50. The Awakening, by Kate Chopin
53. In Cold Blood, by Truman Capote
55. The Satanic Verses, by Salman Rushdie
57. Sophie’s Choice, by William Styron
64. Sons and Lovers, by D.H. Lawrence
66. Cat’s Cradle, by Kurt Vonnegut
67. A Separate Peace, by John Knowles
73. Naked Lunch, by William S. Burroughs
74. Brideshead Revisited, by Evelyn Waugh
75. Women in Love, by D.H. Lawrence
80. The Naked and the Dead, by Norman Mailer
84. Tropic of Cancer, by Henry Miller
88. An American Tragedy, by Theodore Dreiser
97. Rabbit, Run, by John Updike


[div class=attrib]From the Economist:[end-div]
[div class=attrib]From New Scientist:[end-div]
[div class=attrib]From the New Scientist:[end-div]
Big science covering scales from the microscopic to the vastness of the universe continues to deliver stunning new insights, now on a daily basis. I takes huge machines such as the Tevatron at Fermilab, CERN’s Large Hadron Collider, NASA’s Hubble Telescope and the myriad other detectors, arrays, spectrometers, particle smashers to probe some of our ultimate questions. The results from these machines bring us fantastic new perspectives and often show us remarkable pictures of the very small and very large.

[div class=attrib]From ReadWriteWeb:[end-div]
Solar is a timely, hilarious novel from the author of Atonement that examines the self-absorption and (self-)deceptions of Nobel Prize-winning physicist Michael Beard. With his best work many decades behind him Beard trades on his professional reputation to earn continuing financial favor, and maintain influence and respect amongst his peers. And, with his personal life in an ever-decreasing spiral, with his fifth marriage coming to an end, Beard manages to entangle himself in an impossible accident which has the power to re-shape his own world, and the planet in the process.
David Brooks brings us a detailed journey through the building blocks of the self in his new book, The Social Animal: A Story of Love, Character and Achievement. With his insight and gift for narrative Brooks weaves an engaging and compelling story of Erica and Harold. Brooks uses the characters of Erica and Harold as platforms on which he visualizes the results of numerous psychological, social and cultural studies. Placed in contemporary time the two characters show us a holistic picture in practical terms of the unconscious effects of physical and social context on behavioral and character traits. The narrative takes us through typical life events and stages: infancy, childhood, school, parenting, work-life, attachment, aging. At each stage, Brooks illustrates his views of the human condition by selecting a flurry of facts and anecdotal studies.